The Hoosier Schoolmaster | Page 2

somewhat coarse boisterousness which seemed inseparable from it in the works of these rollicking writers. It chanced that in 1871 Taine's lectures on "Art in the Netherlands," or rather Mr. John Durand's translation of them, fell into my hands as a book for editorial review. These discourses are little else than an elucidation of the thesis that the artist of originality will work courageously with the materials he finds in his own environment. In Taine's view, all life has matter for the artist, if only he have eyes to see.
Many years previous to the time of which I am now speaking, while I was yet a young man, I had projected a lecture on the Hoosier folk-speech, and had even printed during the war a little political skit in that dialect in a St. Paul paper. So far as I know, nothing else had ever been printed in the Hoosier. Under the spur of Taine's argument, I now proceeded to write a short story wholly in the dialect spoken in my childhood by rustics on the north side of the Ohio River. This tale I called "The Hoosier School-Master." It consisted almost entirely of an autobiographical narration in dialect by Mirandy Means of the incidents that form the groundwork of the present story. I was the newly installed editor of a weekly journal, Hearth and Home, and I sent this little story in a new dialect to my printer. It chanced that one of the proprietors of the paper saw a part of it in proof. He urged me to take it back and make a longer story out of the materials, and he expressed great confidence in the success of such a story. Yielding to his suggestion, I began to write this novel from week to week as it appeared in the paper, and thus found myself involved in the career of a novelist, which had up to that time formed no part of my plan of life. In my inexperience I worked at a white-heat, completing the book in ten weeks. Long before these weeks of eager toil were over, it was a question among my friends whether the novel might not write finis to me before I should see the end of it.
The sole purpose I had in view at first was the resuscitation of the dead-and-alive newspaper of which I had ventured to take charge. One of the firm of publishers thought much less favorably of my story than his partner did. I was called into the private office and informed with some severity that my characters were too rough to be presentable in a paper so refined as ours. I confess they did seem somewhat too robust for a sheet so an?mic as Hearth and Home had been in the months just preceding. But when, the very next week after this protest was made, the circulation of the paper increased some thousands at a bound, my employer's critical estimate of the work underwent a rapid change--a change based on what seemed to him better than merely literary considerations. By the time the story closed, at the end of fourteen instalments, the subscription list had multiplied itself four or five fold. It is only fair to admit, however, that the original multiplicand had been rather small.
Papers in Canada and in some of the other English colonies transferred the novel bodily to their columns, and many of the American country papers helped themselves to it quite freely. It had run some weeks of its course before it occurred to any one that it might profitably be reprinted in book form. The publishers were loath to risk much in the venture. The newspaper type was rejustified to make a book page, and barely two thousand copies were printed for a first edition. I remember expressing the opinion that the number was too large.
"The Hoosier School-Master" was pirated with the utmost promptitude by the Messrs. Routledge, in England, for that was in the barbarous days before international copyright, when English publishers complained of the unscrupulousness of American reprinters, while they themselves pounced upon every line of American production that promised some shillings of profit. "The Hoosier School-Master" was brought out in England in a cheap, sensational form. The edition of ten thousand has long been out of print. For this large edition and for the editions issued in the British colonies and in continental Europe I have never received a penny. A great many men have made money out of the book, but my own returns have been comparatively small. For its use in serial form I received nothing beyond my salary as editor. On the copyright edition I have received the moderate royalty allowed to young authors at the outset of their work. The sale of the American