The Hoosier Schoolmaster, by Edward Eggleston
The Project Gutenberg EBook of The Hoosier Schoolmaster, by Edward Eggleston This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net
Title: The Hoosier Schoolmaster A Story of Backwoods Life in Indiana
Author: Edward Eggleston
Release Date: February 18, 2005 [EBook #15099]
Language: English
Character set encoding: ISO-8859-1
*** START OF THIS PROJECT GUTENBERG EBOOK THE HOOSIER SCHOOLMASTER ***
Produced by Juliet Sutherland, Charlie Kirschner and the PG Online Distributed Proofreading Team.
THE HOOSIER SCHOOLMASTER
A Story of Backwoods Life in Indiana
REVISED
with an introduction and Notes on the District by the Author,
EDWARD EGGLESTON
With Character Sketches by
F. OPPER
and other Illustrations by
W.E.B. STARKWEATHER
GROSSET & DUNLAP PUBLISHERS NEW YORK
1871
AS A PEBBLE CAST UPON A GREAT CAIRN, THIS EDITION IS INSCRIBED TO THE MEMORY OF JAMES RUSSELL LOWELL, WHOSE CORDIAL ENCOURAGEMENT TO MY EARLY STUDIES OF AMERICAN DIALECT IS GRATEFULLY REMEMBERED.
THE AUTHOR.
PREFACE TO THE LIBRARY EDITION.
BEING THE HISTORY OF A STORY.
"THE HOOSIER SCHOOL-MASTER" was written and printed in the autumn of 1871. It is therefore now about twenty-one years old, and the publishers propose to mark its coming of age by issuing a library edition. I avail myself of the occasion to make some needed revisions, and to preface the new edition with an account of the origin and adventures of the book. If I should seem to betray unbecoming pride in speaking of a story that has passed into several languages and maintained an undiminished popularity for more than a score of years, I count on receiving the indulgence commonly granted to paternal vanity when celebrating the majority of a first-born. With all its faults on its head, this little tale has become a classic, in the bookseller's sense at least; and a public that has shown so constant a partiality for it has a right to feel some curiosity regarding its history.
I persuade myself that additional extenuation for this biography of a book is to be found in the relation which "The Hoosier School-Master" happens to bear to the most significant movement in American literature in our generation. It is the file-leader of the procession of American dialect novels. Before the appearance of this story, the New England folk-speech had long been employed for various literary purposes, it is true; and after its use by Lowell, it had acquired a standing that made it the classic lingua rustica of the United States. Even Hoosiers and Southerners when put into print, as they sometimes were in rude burlesque stories, usually talked about "huskin' bees" and "apple-parin' bees" and used many other expressions foreign to their vernacular. American literature hardly touched the speech and life of the people outside of New England; in other words, it was provincial in the narrow sense.
I can hardly suppose that "The Hoosier School-Master" bore any causative relation to that broader provincial movement in our literature which now includes such remarkable productions as the writings of Mr. Cable, Mr. Harris, Mr. Page, Miss Murfree, Mr. Richard Malcom Johnson, Mr. Howe, Mr. Garland, some of Mrs. Burnett's stories and others quite worthy of inclusion in this list. The taking up of life in this regional way has made our literature really national by the only process possible. The Federal nation has at length manifested a consciousness of the continental diversity of its forms of life. The "great American novel," for which prophetic critics yearned so fondly twenty years ago, is appearing in sections. I may claim for this book the distinction, such as it is, of being the first of the dialect stories that depict a life quite beyond New England influence. Some of Mr. Bret Harte's brief and powerful tales had already foreshadowed this movement toward a larger rendering of our life. But the romantic character of Mr. Harte's delightful stories and the absence of anything that can justly be called dialect in them mark them as rather forerunners than beginners of the prevailing school. For some years after the appearance of the present novel, my own stories had to themselves the field of provincial realism (if, indeed, there be any such thing as realism) before there came the succession of fine productions which have made the last fourteen years notable.
Though it had often occurred to me to write something in the dialect now known as Hoosier--the folk-speech of the southern part of Ohio, Indiana, and Illinois of forty years ago--I had postponed the attempt indefinitely, probably because the only literary use that had been made of the allied speech of the Southwest had been in the books of the primitive humorists of that region. I found it hard to dissociate in my own mind the dialect from the
Continue reading on your phone by scaning this QR Code
Tip: The current page has been bookmarked automatically. If you wish to continue reading later, just open the
Dertz Homepage, and click on the 'continue reading' link at the bottom of the page.