Representative Plays by American Dramatists: 1856-1911: Introduction and Bibliography | Page 6

Montrose J. Moses
"Silas Marner," a dramatization of George Eliot's novel, written in London (1873); "Jealousy," with Charles Reade, written in London (1873-1874); "Rose Michel," based on a French play, in its turn based on Victor Hugo (New York: Union Square Theatre, November 23, 1875); "Queen and Woman," in collaboration with J. V. Pritchard (Brooklyn, N. Y.: Theatre, February 14, 1876); "Twins," in collaboration with A. C. Wheeler (New York: Wallack's Theatre, April 12, 1876); "Won at Last" (New York: Wallack's Theatre, December 10, 1877); "Through the Dark" (New York: Fifth Avenue Theatre, March 10, 1879); "An Iron Will" (Providence, R. I., Low's Opera House, October 27, 1879); "Hazel Kirke" (New York: Madison Square Theatre, February 4, 1880); "A Fool's Errand," dramatization from a novel by Judge Tourgee (Philadelphia: Arch Street Theatre, October 26, 1881); "Dakolar," based on Georges Ohnet's "Le Maitre de Forges" (New York: Lyceum Theatre, April 6, 1885); "In Spite of All," founded on Sardou (New York: Lyceum Theatre, September 15, 1885); "Rienzi," based on Bulwer-Lytton's novel (Washington: Albaugh's Opera House, December 13, 1886; New York production, Niblo's Garden, May 2, 1887); "The Drama of Civilization," a pageant (New York: Madison Square Garden, November 27, 1887); "Anarchy" (Buffalo, N. Y.: Academy of Music, May 30, 1887); "Paul Kauvar; or, Anarchy" (New York: Standard Theatre, December 24, 1887); "A Noble Rogue" (Chicago: Opera House, July 3, 1888); "An Arrant Knave" (Chicago: Opera House, September 30, 1889); "Colonel Tom" (Boston: Tremont Theatre, January 20, 1890); "Money Mad" (New York: Standard Theatre, April 7, 1890); "Cousin Larry," written in 1891; "The World Finder," a spectatorio (Chicago; Spectatorium, 1893, World's Fair).

BRONSON HOWARD
Born, Detroit, Michigan, October 7, 1842. Died, Avon-by-the-Sea, New Jersey, August 4, 1908. Author of the following plays, with their dates of first production: "Fantine" (Detroit, Mich., 1864); "Saratoga" (New York: Fifth Avenue Theatre, December 21, 1870); "Diamonds" (New York: Fifth Avenue Theatre, September 26, 1872); "Moorcroft; or, The Double Wedding" (New York: Fifth Avenue Theatre, October 17, 1874); "Lilian's Last Love" (Chicago: Hooley's Theatre, September 4, 1877); "Hurricanes" (Chicago: Hooley's Theatre, May 27, 1878); "Old Love Letters" (New York: Park Theatre, August 31, 1878); "The Banker's Daughter," being a revision of "Lilian's Last Love" (New York: Union Square Theatre, September 30, 1878); "Wives," being an adaptation from Moli��re (New York: Daly's Theatre, October 18, 1879); "Fun in the Green-room" (New York: Booth's Theatre, April 10, 1882); "The Young Mrs. Winthrop" (New York: Madison Square Theatre, October 9, 1882); "One of Our Girls" (New York: Lyceum Theatre, November 10, 1885); "Met by Chance" (New York: Lyceum Theatre, January 11, 1887); "The Henrietta" (New York: Union Square Theatre, September 26, 1887); "Baron Rudolph," first named "Rudolph von Hallenstein" (New York: Fourteenth Street Theatre, October 25, 1887); "Shenandoah" (New York: Star Theatre, September 9, 1889); "Aristocracy" (New York: Palmer's Theatre, November 14, 1892); "Peter Stuyvesant," in collaboration with Brander Matthews (New York: Wallack's Theatre, October 2, 1899). Plays that have never been acted are: "Knave & Queen," in collaboration with Sir Charles Young, and "Kate," issued, 1906, in book form by Harper & Brothers.

AUGUSTUS THOMAS
Born, St. Louis, Mo., January 8,1859. Author of the following plays, with their dates of first production: "Editha's Burglar," with Mrs. F. H. Burnett (St. Louis: Pope's Theatre, July 1, 1884); "The Burglar" (Boston: Park Theatre, June, 1888); "A Man of the World" (New York: Madison Square Theatre, October 30, 1889); "Afterthoughts" (New York: Madison Square Theatre, November 24, 1890); "Reckless Temple" (New York: Standard Theatre, October 27, 1890); "Alabama" (New York: Madison Square Theatre, April 1, 1891); "Colonel Carter of Cartersville," from the novel by F. Hopkinson Smith (New York: Palmer's Theatre, March 22,1892); "Holly-Tree Inn" (New York: Union Square Theatre, April 11, 1892); "In Mizzoura" (Chicago: Hooley's Theatre, August, 1893); "New Blood" (New York: Palmer's Theatre, September 19, 1894; previously in Chicago); "The Man Upstairs" (New York: Hoyt's Theatre, April 9, 1895); "The Capitol" (New York: Standard Theatre, September 9, 1895); "That Overcoat" (1898); "The Hoosier Doctor" (New York: Fourteenth Street Theatre, April 18, 1898); "The Meddler" (New York: Wallack's Theatre, September 1, 1898); "Arizona" (Chicago: Grand Opera House, June 12, 1899); "Oliver Goldsmith" (New York: Fifth Avenue Theatre, March 19, 1900); "On the Quiet" (New York: Hoyt's Theatre, February 11, 1901); "Colorado" (New York: Palmer's Theatre, January 12, 1902); "Soldiers of Fortune," from the novel by Richard Harding Davis (New York: Savoy Theatre, March 17, 1902); "The Earl of Pawtucket" (New York: Madison Square Theatre, February 5, 1903); "The Other Girl" (New York: Criterion Theatre, December 23, 1903); "Mrs. Leffingwell's Boots" (New York: Savoy Theatre, January 11, 1905); "The Education of Mr. Pipp," from pictures by Charles Dana Gibson, (New York: Liberty Theatre, February 20, 1905); "Delancey" (New York: Empire Theatre, September 4, 1905); "The Embassy Ball" (New York: Daly's Theatre, March 5, 1906); "The Ranger" (New York:
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