Representative Plays by American Dramatists: 1856-1911: Introduction and Bibliography | Page 5

Knew." New York: Broadway Publishing Co. 1909.
Bibliography of Clyde Fitch. "Modern Drama and Opera." Vol. II. Boston: The Boston Book Co. 1915. pp. 60-65.
(Notices of "The Moth and the Flame" are in the New York Times, April 12, 1898 and April 17, 1898. E. A. Dithmar.)
Martin Birnbaum. Critical Appreciation. Independent, 67:123-31.
Barrett H. Clark. "The British and American Drama of To-day." New York: Holt. 1915. Fitch, with bibliography.
Walter P. Eaton. "At the New Theatre." Boston: Small, Maynard. 1910. "The Case of Clyde Fitch." pp. 258-83. This was also published in Scribner's, 46:490-97.
Norman Hapgood. "The Stage in America. 1897-1900." New York: The Macmillan Co. 1901. (References to Fitch, Howard, and Thomas.)
Montrose J. Moses. "The American Dramatist." Boston: Little, Brown. 1917. Chapter X and bibliography.
Clement Scott. "Drama of Yesterday and To-day." New York: The Macmillan Co. 1899. 2 vols.
L.C. Strang. "Plays and Players of the Last Quarter Century."
For the "Beau Brummell" dispute, both sides, see the biographies of Richard Mansfield, by Paul Wilstach and William Winter. A Memorial Edition of "The Plays of Clyde Fitch," edited by Montrose J. Moses and Virginia Gerson, 4 vols., has been issued by Little, Brown & Co. Boston. 1915.

LANGDON MITCHELL
William Archer. "The New York Idea." London Tribune, May 27, 1907.
J. B. Clapp and E. F. Edgett. "Plays of the Present." New York: Dunlap Society. 1902. (Reference to "Becky Sharp.")
Norman Hapgood. "The Stage in America. 1897-1909." New York: The Macmillan Co. 1901.
Joyce Kilmer. Langdon Mitchell, interview with. New York Times, February 20, 1916.
William Winter. "The Wallet of Time." New York: Moffat, Yard. 1913. 2 vols. "The Acting of Mrs. Fiske."

EUGENE WALTER
Barrett H. Clark. "The British and American Drama of To-day." New York: Holt. 1915. With bibliography.
Denig, L. "Vicissitudes of a Playwright." Theatre, 21:235, May, 1915.
"The Easiest Way" (Excerpts). Current Literature, 51:73-81.
"The Easiest Way." Dramatist, 4:379, July, 1913.
Walter P. Eaton. "At the New Theatre and Others." Boston: Small, Maynard. 1910. pp. 93-98.
Walter P. Eaton. "The American Stage of To-day." ("Paid in Full.") Boston: Small, Maynard. 1908. pp. 45-57.
Walter P. Eaton. "Plays of Eugene Walter." American Magazine, November, 1910, 71:121-23.
Ada Patterson. Interview with Eugene Walter. Theatre, October, 1908. 8:272-76.
Peirce, Francis Lament. "Eugene Walter: An American Dramatic Realist." Drama, February, 1916. Vol. 6.
Eugene Walter. Sketch of. Green Book Album, January, 1911, 5:186-87.
William Winter. "The Life of David Belasco." 2 vols. New York: Moffat, Yard. 1918. References in the Indexes to "The Easiest Way," "Just a Wife."
William Winter. "The Wallet of Time." 2 vols. New York: Moffat, Yard. 1913. 2:374; 479-88.
For contemporary criticism on Walter consult the Dramatic Index, and the Indexes of the New York Tribune and Times.

DAVID BELASCO
Such articles by Mr. Belasco as "The Business of Theatrical Management," Philadelphia Saturday Evening Post, June 7, 1919, may be found by consulting the Dramatic Index. They are more or less amplified expressions of opinion which were dwelt upon in his extended Reminiscences, written for Hearst's Magazine, beginning March, 1914. Constant references to Mr. Belasco are to be found in Winter's "Wallet of Time." But the monumental "Life of David Belasco," 2 vols., by Winter, will give all the biographical data necessary for the student to have. It is issued by Moffat, Yard, New York, 1918. Consult likewise Montrose J. Moses' "The American Dramatist." Chapter VII. Boston: Little, Brown. 1917. See also Walter P. Eaton's "Plays and Players." Cincinnati: Stewart & Kidd. 1916. "Warfield in the Spirit World," pp. 17-24. "Belasco and Hypnotism" (Locke's "The Case of Becky"), pp. 59-65.

THE AUTHORS AND THEIR PLAYS

RIP VAN WINKLE
The details are given specifically in the Introduction to the play, where the different dramatizations are discussed.

GEORGE HENRY BOKER
Born, Philadelphia, Pa., October 6, 1823. Died, Philadelphia, January 2, 1890. Author of the following plays, with their dates of first production, or when written: "Calaynos" (London: Sadler's Wells Theatre, May 10, 1849) (Philadelphia: Walnut Street Theatre, January 20, 1850); "Anne Boleyn" (1850); "The Betrothal" (Philadelphia: Walnut Street Theatre, September 25, 1850) (New York: Broadway Theatre, November 18, 1850); "All the World a Mask" (Philadelphia: Walnut Street Theatre, April 21, 1851); "The Podesta's Daughter" (1852); "The Widow's Marriage" (1852); "Leonor de Guzman" (Philadelphia: Walnut Street Theatre, October 3, 1853) (New York: Broadway Theatre, April 24, 1853); "Francesca da Rimini" (New York: Broadway Theatre, September 26, 1855); "The Bankrupt" (MS. 1853); "K?nigsmark" (1857, 1869); "Nydia" (1885); "Glaucus" (1886), based on Bulwer-Lytton.

OLIVER BELL BUNCE
The details are given specifically in the Introduction to "Love in '76".

STEELE MACKAYE
Born, Buffalo, New York, June 6, 1842. Died, Timpas, Colorado, on board train, February 25, 1894. Author of the following plays, with their dates of first production: "Monaldi" (New York: St. James Theatre, January 8, 1872), in collaboration with Francis Durivage; "Marriage," adapted from the French of Feuillet (New York: St. James Theatre, February 12, 1872); "A Radical Fool," written in London (1873-1874); "Arkwright's Wife," in collaboration with Tom Taylor (Leeds, England: Theatre Royal, July 7, 1873);