Representative Plays by American Dramatists: 1856-1911: Introduction and Bibliography | Page 7

Wallack's Theatre, September 2, 1907); "The Witching Hour" (New York: Hackett's Theatre, November 18, 1907); "The Harvest Moon" (New York: Garrick Theatre, October 18, 1909); "The Member from Ozark" (Detroit, Mich., Opera House, 1910); "As a Man Thinks" (New York: 39th Street Theatre, March 13, 1911); "The Model" (New York: Harris Theatre, August 31, 1912); "Mere Man" (New York: Harris Theatre, November 25, 1912); "Indian Summer" (New York: Criterion Theatre, October 27, 1913); "Rio Grande" (New York: Empire Theatre, April 4, 1916); "The Copperhead" (Hartford, Conn., January 22, 1918); "Palmy Days" (New York: The Playhouse, October 27, 1919); "Under the Bough," previously called "The Blue Devil" and "Speak of the Devil" (Boston: Colonial Theatre, May 31, 1920). Other plays credited to Mr. Thomas are: "A Leaf from the Woods," one act (St. Louis: Pope's Theatre, 1883); "A New Year's Call," one act (St. Louis: Pope's Theatre, 1883); "A Night's Frolic" (New York: Herald Square Theatre, 1888); "A Proper Impropriety," one act (New York: Union Square Theatre, 1889); "Alone" (St. Louis: Pickwick Theatre, 1881); "Chimmie Fadden," from the book of E. W. Townsend (New York: Palmer's Theatre, 1881); "Combustion" (St. Louis: Pope's Theatre, 1883); "For Money" (New York: Star Theatre, 1890); "Love Will Find the Way," written for amateurs; "The Big Rise" (St. Louis: Pope's Theatre, 1881); "The Dress Suit," written for amateurs only; "The Jucklins" (on the road, 1896); "The Music Box," written for amateurs only.

CLYDE FITCH
Born, Elmira, New York, May 2, 1865. Died at Chal?ns-sur-Marne, September 4, 1909. Author of the following plays, with their dates of first production: "Beau Brummell" (New York: Madison Square Theatre, May 17, 1890); "Fr��d��ric Lema?tre" (New York: Daly's Theatre, December 1, 1890); "Betty's Finish" (Boston Museum, December 29, 1890); "Pamela's Prodigy" (London: Royal Court Theatre, October 21, 1891); "A Modern Match" (New York: Union Square Theatre, March 14, 1892. Later played by the Kendalsas "Marriage"); "The Masked Ball," from the French of Bisson (New York: Palmer's Theatre, October 3, 1892); "The Harvest," afterwards used in "The Moth and the Flame" (Theatre of Arts and Letters, New York: Fifth Avenue Theatre, January 26, 1893); "April Weather" (Chicago: Opera House, May 29, 1893); "A Shattered Idol," from the French of Balzac, "Old Goriot" (St. Paul, Minn.: Globe Theatre, July 31, 1893); "The Social Swim," adapted from the French of Sardou (New York: Harlem Opera House, September 22, 1893); "An American Duchess," from the French of Lavadan (New York: Lyceum Theatre, November 20, 1893); "Mrs. Grundy, Jun.," from the French, (1894); "Gossip," from the French of Claretie, in collaboration with Leo Ditrichstein (New York: Palmer's Theatre, March 11, 1895); "His Grace de Grammont" (Brooklyn: Park Theatre, September 11, 1895); "Mistress Betty" (New York: Garrick Theatre, October 15, 1895); "Bohemia," from the French (New York: Empire Theatre, March 9, 1896); "The Liar," from the French of Bisson (New York: Hoyt's Theatre, September 2, 1896); "A Superfluous Husband," adapted from the German, with Leo Ditrichstein (New York: Miner's Fifth Avenue Theatre, January 4, 1897); "The Moth and the Flame" (New York: Lyceum Theatre, April 11, 1898); "The Head of the Family," adapted from the German, with Leo Ditrichstein (New York: Knickerbocker Theatre, December 6, 1898); "Nathan Hale" (New York: Knickerbocker Theatre, January 2, 1899, having been given in Chicago the previous January); "Barbara Frietchie" (New York: Criterion Theatre, October 24, 1899); "The Cowboy and the Lady" (New York: Knickerbocker Theatre, December 25, 1899); "Sapho," from the French of Daudet (New York: Wallack's Theatre, February 16, 1900); "The Climbers" (New York: Bijou Theatre, January 21, 1901); "Lovers' Lane" (New York: Manhattan Theatre, February 6, 1901); "Captain Jinks of the Horse Marines" (New York: Garrick Theatre, February 4, 1901); "The Last of the Dandies" (London, October 24, 1901); "The Way of the World" (New York: Hammerstein's Victoria, November 4, 1901); "The Girl and the Judge" (New York: Lyceum Theatre, December 4, 1901); "The Stubbornness of Geraldine" (New York: Garrick Theatre, November 3, 1902); "The Girl with the Green Eyes" (New York: Savoy Theatre, December 25, 1902); "The Bird in the Cage" (New York: Bijou Theatre, January 12, 1903); "Her Own Way" (New York: Garrick Theatre, September 28, 1903); "Algy" (Chicago: Garrick Theatre, October 4, 1903); "Major Andr��" (New York: Savoy Theatre, November 11, 1903); "Glad of It" (New York: Savoy Theatre, December 28, 1903); "The Frisky Mrs. Johnson" (New York: Garrick Theatre, May 16, 1904); "The Coronet of a Duchess" (New York: Garrick Theatre, September 21, 1904); "Granny" (New York: Lyceum Theatre, October 24, 1904); "Cousin Billy," adapted from the French (New York: Criterion Theatre, January 2, 1905); "The Woman in the Case" (New York: Herald Square Theatre, January 30, 1905); "Her Great Match" (New York: Criterion Theatre, September 4, 1905); "Wolfville," a dramatization of a novel by Alfred Henry Lewis, the play in collaboration with Willis Steell, (Philadelphia, October