The Works of Samuel Johnson in Nine Volumes | Page 8

gives or which feels terrour; a fearful prodigy, a fearful hare. Some have a personal, some a real meaning; as, in opposition to old, we use the adjective young of animated beings, and new of other things. Some are restrained to the sense of praise, and others to that of disapprobation; so commonly, though not always, we exhort to good actions, we instigate to ill; we _animate, incite_ and encourage indifferently to good or bad. So we usually ascribe good, but impute evil; yet neither the use of these words, nor, perhaps, of any other in our licentious language, is so established as not to be often reversed by the correctest writers. I shall, therefore, since the rules of style, like those of law, arise from precedents often repeated, collect the testimonies on both sides, and endeavour to discover and promulgate the decrees of custom, who has so long possessed, whether by right or by usurpation, the sovereignty of words.
It is necessary, likewise, to explain many words by their opposition to others; for contraries are best seen when they stand together. Thus the verb stand has one sense, as opposed to fall, and another, as opposed to _fly_; for want of attending to which distinction, obvious as it is, the learned Dr. Bentley has squandered his criticism to no purpose, on these lines of Paradise Lost:
--In heaps Chariot and charioteer lay overturn'd, And fiery foaming steeds. What _stood, recoil'd_ O'erwearied, through the faint Satanic host, Defensive scarce, or with pale fear surpris'd, Fled ignominious.--
"Here," says the critick, "as the sentence is now read, we find that what _stood, fled_:" and, therefore, he proposes an alteration, which he might have spared, if he had consulted a dictionary, and found that nothing more was affirmed than, that those fled who did not fall.
In explaining such meanings as seem accidental and adventitious, I shall endeavour to give an account of the means by which they were introduced. Thus, to eke out any thing, signifies to lengthen it beyond its just dimensions, by some low artifice; because the word eke was the usual refuge of our old writers, when they wanted a syllable. And buxom, which means only obedient, is now made, in familiar phrases, to stand for _wanton_; because in an ancient form of marriage, before the Reformation, the bride promised complaisance and obedience, in these terms: "I will be bonair and buxom in bed and at board."
I know well, my Lord, how trifling many of these remarks will appear, separately considered, and how easily they may give occasion to the contemptuous merriment of sportive idleness, and the gloomy censures of arrogant stupidity; but dulness it is easy to despise, and laughter it is easy to repay. I shall not be solicitous what is thought of my work, by such as know not the difficulty or importance of philological studies; nor shall think those that have done nothing, qualified to condemn me for doing little. It may not, however, be improper to remind them, that no terrestrial greatness is more than an aggregate of little things; and to inculcate, after the Arabian proverb, that drops added to drops constitute the ocean.
There remains yet to be considered the distribution of words into their proper classes, or that part of lexicography which is strictly critical.
The popular part of the language, which includes all words not appropriated to particular sciences, admits of many distinctions and subdivisions; as, into words of general use; words employed chiefly in poetry; words obsolete; words which are admitted only by particular writers, yet not in themselves improper; words used only in burlesque writing; and words impure and barbarous.
Words of general use will be known by having no sign of particularity, and their various senses will be supported by authorities of all ages.
The words appropriated to poetry will be distinguished by some mark prefixed, or will be known by having no authorities but those of poets.
Of antiquated or obsolete words, none will be inserted, but such as are to be found in authors, who wrote since the accession of Elizabeth, from which we date the golden age of our language; and of these many might be omitted, but that the reader may require, with an appearance of reason, that no difficulty should be left unresolved in books which he finds himself invited to read, as confessed and established models of style. These will be likewise pointed out by some note of exclusion, but not of disgrace.
The words which are found only in particular books, will be known by the single name of him that has used them; but such will be omitted, unless either their propriety, elegance or force, or the reputation of their authors, affords some extraordinary reason for their reception.
Words used in burlesque and familiar compositions, will be likewise mentioned