you'd got to, Barbara," he said. "This is my friend, Mr. Cyprian Paynter." The next moment he saw the stranger and stopped, a little puzzled. it was only Mr. Cyprian Paynter himself who was equal to the situation. He had seen months ago a portrait of the new Cornish poet in some American literary magazine, and he found himself, to his surprise, the introducer instead of the introduced.
"Why, Squire," he said in considerable astonishment, "don't you know Mr. Treherne? I supposed, of course, he was a neighbor."
"Delighted to see you, Mr. Treherne," said the Squire, recovering his manners with a certain genial confusion. "So pleased you were able to come. This is Mr. Paynter---my daughter," and, turning with a certain boisterous embarrassment, he led the way to the table under the tree.
Cyprian Paynter followed, inwardly revolving a puzzle which had taken even his experience by surprise. The American, if intellectually an aristocrat, was still socially and subconsciously a democrat. It had never crossed his mind that the poet should be counted lucky to know the squire and not the squire to know the poet. The honest patronage in Vane's hospitality was something which made Paynter feel he was, after all, an exile in England.
The Squire, anticipating the trial of luncheon with a strange literary man, had dealt with the case tactfully from his own standpoint. County society might have made the guest feel like a fish out of water; and, except for the American critic and the local lawyer and doctor, worthy middle-class people who fitted into the picture, he had kept it as a family party. He was a widower, and when the meal had been laid out on the garden table, it was Barbara who presided as hostess. She had the new poet on her right hand and it made her very uncomfortable. She had practically offered that fallacious jongleur money, and it did not make it easier to offer him lunch.
"The whole countryside's gone mad," announced the Squire, by way of the latest local news. "It's about this infernal legend of ours."
"I collect legends," said Paynter, smiling.
"You must remember I haven't yet had a chance to collect yours. And this," he added, looking round at the romantic coast, "is a fine theater for anything dramatic."
"Oh, it's dramatic in its way," admitted Vane, not without a faint satisfaction. "It's all about those things over there we call the peacock trees--I suppose, because of the queer color of the leaf, you know, though I have heard they make a shrill noise in a high wind that's supposed to be like the shriek of a peacock; something like a bamboo in the botanical structure, perhaps. Well, those trees are supposed to have been brought over from Barbary by my ancestor Sir Walter Vane, one of the Elizabethan patriots or pirates, or whatever you call them. They say that at the end of his last voyage the villagers gathered on the beach down there and saw the boat standing in from the sea, and the new trees stood up in the boat like a mast, all gay with leaves out of season, like green bunting. And as they watched they thought at first that the boat was steering oddly, and then that it wasn't steering at all; and when it drifted to the shore at last every man in that boat was dead, and Sir Walter Vane, with his sword drawn, was leaning up against the tree trunk, as stiff as the tree."
"Now this is rather curious," remarked Paynter thoughtfully. "I told you I collected legends, and I fancy I can tell you the beginning of the story of which that is the end, though it comes hundreds of miles across the sea."
He tapped meditatively on the table with his thin, taper fingers, like a man trying to recall a tune. He had, indeed, made a hobby of such fables, and he was not without vanity about his artistic touch in telling them.
"Oh, do tell us your part of it?" cried Barbara Vane, whose air of sunny sleepiness seemed in some vague degree to have fallen from her.
The American bowed across the table with a serious politeness, and then began playing idly with a quaint ring on his long finger as he talked.
"If you go down to the Barbary Coast, where the last wedge of the forest narrows down between the desert and the great tideless sea, you will find the natives still telling a strange story about a saint of the Dark Ages. There, on the twilight border of the Dark Continent, you feel the Dark Ages. I have only visited the place once, though it lies, so to speak, opposite to the Italian city where I lived for years, and yet you would hardly believe how the topsy-turvydom and
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