The Ten Pleasures of Marriage and The Confession of the New-married Couple (1682) | Page 4

A. Marsh
her living by her pen. It is true that she was, so to speak, a feminist: the preface and epilogue to her Sir Patient Fancy speak bitterly of those who would not go to her plays because they were by a woman. On the other hand, she had a free pen, to say the least of it, and often a witty one. And she had Dutch associations. Her husband was a Dutch merchant living in London. She had herself been on secret service in the Netherlands. She translated a Dutch book on oracles. If the book was printed in Holland, she of all people could get the work done. And she knew the city of London intimately.
There are, too, some odd details in her plays, especially in _Sir Patient Fancy_, which recall touches in The Ten Pleasures. She introduces a Padua doctor on the stage. She shows, in several of her plays, a curious interest in medicine, especially quack medicine. Sir Patient, a hypochondriac, thinks he is swelling up like the "pipsy" husband. Isabella, in the same play, says "keeping begins to be as ridiculous as matrimony.... The insolence and expense of their mistresses has almost tired out all but the old and doting part of mankind." It is not inconceivable that in a freakish or embittered moment this singular woman threw herself with malicious joy into an attack on her own sex.
"Love in fantastic triumph sat...." Aphra Behn's great lyric deservedly lives. If she wrote _The Ten Pleasures_, the sort of love she describes in it still lives, but hardly in fantastic triumph. Yet if we want to know our fellow-men, we must know something of it. Apart from the curious interest of its rarity, The Ten Pleasures is a sturdy piece of human nature.
JOHN HARVEY.
* * * * *

PUBLISHER'S PREFACE
"Of the making of many books there is no end," nor is there an end to the Romance of books, as the little volume here, privately reprinted by the Navarre Society, is surely proof most positive. The original is a small thick volume; it bears the imprint "London, Printed in the year 1683," and but one perfect copy is known; that copy lay unappreciated in the heart of London in an antiquarian bookseller's shop.
Fortunately, however, for our literature and for students of the manners of the commonality of the period it was seen by a colleague, who wondered why he did not know it. After purchasing it he found the reason why--the Bodleian Library alone possessed a copy of the work (imperfect); later a copy of the first part (only) appeared in the last portion of the sale of the great Huth Collection. The present text is taken from the perfect copy mentioned above.
The curious title rather damns the literary interest of the book, which presents pictures of the cit and his wife at work and play which Fielding, had he lived in the seventeenth century, might have written. It is thought that the book was printed in Holland, and if so, it may well be that the ship carrying the printed sheets to England foundered in the North Sea, or was sunk by enemy craft. There can be no doubt that such a work would not have escaped the wits of the time; if it had survived for ordinary circulation, mention would have been made of it, however small an edition had been sold. No other so likely reason for its extreme rarity presents itself.
It is reprinted, as faithfully as the altered manners of our time permit, with a Preface by John Harvey, who attributes the work to the industrious and sometimes brilliant Mrs Aphra Behn, a discovery which the Navarre Society believe to be well grounded. They hope that the issue of the book to their subscribers may help to confirm or refute that lady's responsibility for so graceless an attack upon her sex. Whether she did or did not write it, the fact remains that a work so vividly representative of Restoration life and literature is rescued from the obscurity to which its scarceness has hitherto condemned it and worthily preserved for scholars and amateurs of the future.
* * * * *

THE TEN
PLEASURES
OF
MARRIAGE.

* * * * *

THE TEN
PLEASURES
OF
MARRIAGE,
Relating All the delights and contentments that are mask'd under the bands of Matrimony.
Written by A. MARSH, Typogr.
LONDON,
Printed in the Year, 1682.
* * * * *

TO THE READER.
Courteous Reader,
_This small Treatise which I here present unto thee is the fruit of some spare hours, that my cogitations, after they had been for a small time, between whiles, hovering to and fro in the Air, came fluttring down again, still pitching upon the subject of the Ten Pleasures of Marriage, in each of which I hope thou wilt find somthing worthy of thy acceptance, because I am sure 'tis matter
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