The Red Lily, vol 2 | Page 4

keys.
Choulette, even harsher than was his habit, asked for thread and needles that he might mend his clothes. He grumbled because he had lost a needle-case which he had carried for thirty years in his pocket, and which was dear to him for the sweetness of the reminiscences and the strength of the good advice that he had received from it. He thought he had lost it in the hall devoted to historic subjects in the Pitti Palace; and he blamed for this loss the Medicis and all the Italian painters.
Looking at Miss Bell with an evil eye, he said:
"I compose verses while mending my clothes. I like to work with my hands. I sing songs to myself while sweeping my room; that is the reason why my songs have gone to the hearts of men, like the old songs of the farmers and artisans, which are even more beautiful than mine, but not more natural. I have pride enough not to want any other servant than myself. The sacristan's widow offered to repair my clothes. I would not permit her to do it. It is wrong to make others do servilely for us work which we can do ourselves with noble pride."
The Prince was nonchalantly playing his nonchalant music. Therese, who for eight days had been running to churches and museums in the company of Madame Marmet, was thinking of the annoyance which her companion caused her by discovering in the faces of the old painters resemblances to persons she knew. In the morning, at the Ricardi Palace, on the frescoes of Gozzoli, she had recognized M. Gamin, M. Lagrange, M. Schmoll, the Princess Seniavine as a page, and M. Renan on horseback. She was terrified at finding M. Renan everywhere. She led all her ideas back to her little circle of academicians and fashionable people, by an easy turn, which irritated her friend. She recalled in her soft voice the public meetings at the Institute, the lectures at the Sorbonne, the evening receptions where shone the worldly and the spiritualist philosophers. As for the women, they were all charming and irreproachable. She dined with all of them. And Therese thought: "She is too prudent. She bores me." And she thought of leaving her at Fiesole and visiting the churches alone. Employing a word that Le Menil had taught her, she said to herself:
"I will 'plant' Madame Marmet."
A lithe old man came into the parlor. His waxed moustache and his white imperial made him look like an old soldier; but his glance betrayed, under his glasses, the fine softness of eyes worn by science and voluptuousness. He was a Florentine, a friend of Miss Bell and of the Prince, Professor Arrighi, formerly adored by women, and now celebrated in Tuscany for his studies of agriculture. He pleased the Countess Martin at once. She questioned him on his methods, and on the results he obtained from them. He said that he worked with prudent energy. "The earth," he said, "is like women. The earth does not wish one to treat it with either timidity or brutality." The Ave Maria rang in all the campaniles, seeming to make of the sky an immense instrument of religious music. "Darling," said Miss Bell, "do you observe that the air of Florence is made sonorous and silvery at night by the sound of the bells?"
"It is singular," said Choulette, "we have the air of people who are waiting for something."
Vivian Bell replied that they were waiting for M. Dechartre. He was a little late; she feared he had missed the train.
Choulette approached Madame Marmet, and said, gravely "Madame Marmet, is it possible for you to look at a door--a simple, painted, wooden door like yours, I suppose, or like mine, or like this one, or like any other --without being terror-stricken at the thought of the visitor who might, at any moment, come in? The door of one's room, Madame Marmet, opens on the infinite. Have you ever thought of that? Does one ever know the true name of the man or woman, who, under a human guise, with a known face, in ordinary clothes, comes into one's house?"
He added that when he was closeted in his room he could not look at the door without feeling his hair stand on end. But Madame Marmet saw the doors of her rooms open without fear. She knew the name of every one who came to see her--charming persons.
Choulette looked at her sadly, and said, shaking his head: "Madame Marmet, those whom you call by their terrestrial names have other names which you do not know, and which are their real names."
Madame Martin asked Choulette if he thought that misfortune needed to cross the threshold in order to enter one's life.
"Misfortune is ingenious and subtle. It