The Pagan Tribes of Borneo | Page 7

Hand a Head dressed in Leaves 180 103. Iban
War-boats on the Rejang River 182 104. Iban Scouts on the alert 184
105. Punan Heads taken by Ibans 186 106. Iban Women dancing with
human Heads 188 107. Kalabit Smiths using stone Hammers. The
Bellows are simpler than those described in text 194 108. Iban making
Fire-pistons 196 109. Iban House in course of Construction 198 110.
Kanowit (Klemantan) Baskets and Beadwork 200 111. Kayan Knife
and Axes 202 112. Kenyah hewing out Shaft of Blow-pipe before
boring it 204 113. Kenyahs drilling a Blow-pipe 206 114. Kenyah
lashing Spear-blade to Blow-pipe 208 115. Kenyah making Dart for
Blow-pipe 210 116. Kenyah making Dart-poison 212 117. Kenyahs
making Bark-cloth 214 118. Iban Woman extracting Cotton-seeds 216
119. Iban Woman with Spinning-wheel 218 120. Iban Woman
preparing the Web for dyeing 220 121. Iban Woman weaving 222 122.
Carved Door to the Room of Aban Jau, a Chief of the Sebops
(Klemantans), Tinjar River 226 123. Door of Room in Sebop
(Klemantan) House. The two Figures near the Top probably represent
Gibbons 228 124. Carvings on the Wall of the Gallery in a Long Ulai
(Klemantan) House, Baram District 230
125. Prow of Klemantan War-boat (the Man is an Iban) 232 126. A
Kenyah Pattern carved on a bamboo Tobacco-box 234 127. Annular
Design worked on bamboo Tobacco-box (Kenyah) 236 128. Charcoal
Drawings. The first depicts Women at Work on PADI Mortars; the
second the feeding of Pigs and Fowls; the third the laying of a Corpse
in the Tomb 238 129. Kenyah Sword-handle carved from a Deer's Horn
242 130. Old Beads worn by Kayans (in Colour) 244 131. Blanket (Pua)
woven by Iban Woman 246 132. Blanket (Pua) woven by Iban Woman
248 133. Tatu Patterns on Thighs of Kayan Women 250 134. Tatu
Patterns on a Kalabit Woman 252 135. Kalabit Tatu (Woman) 254 136.
Tatu designs 258 137. ,, 260 138. ,, 262 139. ,, 264 140. ,, 266 141. ,,
268 142. ,, 270 143. ,, 274 Kenyah Women husking PADI (in Colour)

FRONTISPIECE 144. Kenyah Altar showing large round Stones
known as BATU TULOI. Eggs offered to the Omen-birds in the Jungle
2 145. A Klemantan (Barawan) making Offerings of Eggs to the Gods
4 146. Balawing Pole on the left; Altar-post of Bali Penyalong on the
right and in the middle a Post to which Pieces of the Flesh of slain
Enemies have been skewered as Thank-offerings after successful War,
set up before House of Long Pokuns (Klemantan) 8 147. Wooden
Images set up before a Kenyah House at the Approach of an Epidemic
of Cholera 12 148. Wooden Image of Bali Atap, a Kenyah God 16 149.
Altar-posts set up before Klemantan House on return from War 20 150.
(A) Temporary Shelter for Heads. (B) Gallery of a Kayan Long House
24 151. Kenyah Dayongs wearing Masks 30 152. Tomb of the Wife of
a Chief of the Long Patas (Klemantan). The white Discs were formerly
made of Shell, but nowadays European Crockery is used, and a German
Firm supplies Dinner-plates provided with two Perforations which
facilitate the attachment of the Plates 34 153. Tomb of a Sekapan
(Klemantan) Chief 36 154. The Grave of Kuling, Daughter of Boi
Jalong, the principal Kenyah Chief of the Batang Kayan River 40 155.
Malanau Graves near Rejang Village 44 156. Peng Coffins deposited
on Ledges of overhanging Cliff on the Mahakam. River 46 157. (A)
Tama Bulan sacrificing a Pig to Bali Penyalong. (B) Balari, a Kenyah,
sacrificing a Fowl to Bali Penyalong 58 158. A Kayan charging a Pig
with a Message to the Gods 68 159. Kayans discussing the Liver of a
Pig 80
160. Image of a Hornbill made by Ibans for use at Ceremonies 94 161.
Group of Kenyahs. On the Top of the Pole can be seen an Image of the
Hawk, Bali Flaki 106 162. An Enemy's Head decorated by Kayans with
various Charms 120 163. Image of Crocodile, and House provided for
the Spirit whose Aid is invoked by Malanaus at the Bayoh Ceremony
126 164. A wooden Figure of Crocodile, and Decorations used at the
Bayoh Ceremony by Malanaus 132 165. Mixed Group of Kenyah and
Klemantan Boys 154 166. A Sekapan (Klemantan) Woman carrying
Child in a Cradle 156 167. Iban Boys bathing. The Fence is for
Protection against Crocodiles 158 168. (1) Fire-piston. (2) PUSA, used
to make Fire at the naming of a Kayan Child. The Figure represents
Laki Pesong 160 169. Kayans wrestling 164 170. A Dance which
nearly resembles some recent European Developments of the Art 166

171. A Kayan dancing 168 172. A Lesson in Wood-carving (Kenyahs)
172 173. An Iban Wedding 174 174. Punans of the Baram 178 175.
Elderly Punan Headman