The New Society | Page 6

the people but have been willed by themselves. A people wills to have a nomadic life, or wills to have a sea-coast, or wills agriculture, or war; and has the power, if its will be strong enough, to obtain its desire, or failing that to break up and perish. It is the same will and character which decides for well-being and culture, or indolence and dependence, or labour and spiritual development. The Venetians did not have architecture and painting bestowed upon them because they happened to have become rich, nor the English sea-power because they happened to live on an island: no, the Venetians willed freedom, power and art, and the Anglo-Saxons willed the sea.
There is a grain of truth in the popular political belief that war embodies a judgment of God. At any rate character is judged by it; not indeed in the sense of popular politics, that one can "hold out" in a hopeless position, but because all the history that went before the war, the capacity or incapacity of politics and leadership is a question of character--and with us it was a question of indolence, of political apathy, of class-rule, philistinish conceit and greed of gain. Nowhere was this conception of the judgment of God so blasphemously exaggerated as with us Germans, when the lord of our armed hosts, at the demand of the barracks greedy for power, of the tavern-benches, the state-bureaus and the debating societies was summoned, and charged with the duty, forsooth, of chastising England--England, which they only knew out of newspaper reports! To-day this exaggeration is being paid for in humiliation, for God did not prove controllable, and His na?ve blasphemers must silently and with grinding teeth admit that their foes are in the right when they, in their turn, appeal to the same judgment to justify, without limit, everything they desire to do.
After these brief observations on the psycho-physical complex, Spirit and Destiny, we hope we shall not be misunderstood when for the sake of brevity we speak as if the spirit of the new order were determined by its material construction, while in reality it incorporates itself therein. The structure is the easier to survey, and we therefore make it the starting-point of our discussion.

IV
All civilisations known to us have sprung from peoples which were numerous, wealthy and divided into two social strata. They reached their climax at the moment when the two strata began to melt into one.
It is not enough, therefore, that a people should be numerous and wealthy; it must, with all its wealth and its power, contain a large proportion of poor and even oppressed and enslaved subjects. If it has not got these, it must master and make use of other foreign cultures as a substitute. That is what Rome did; it is what America is doing.
It is terrible, but comprehensible. For up to this point the unconscious processes of Nature, the law of mutual strife, has prevailed. So far, collective organizations have been beasts of prey; only now are they about to cross the boundaries of the human order.
Comprehensible and explicable. For all creations of culture hold together; one cannot pursue the cheaper varieties while renouncing the more costly. There is no cheap culture. In their totality they demand outlay, the most tremendous outlay known to history, the only outlay by which human toil is recompensed, over and above the supply of absolute necessaries.
The creations of civilisation, like all things living and dead, follow on each other--plants, men, beasts and utensils have their sequence generation after generation. Men must paint and look at pictures for ten thousand years before a new picture comes into existence. Our poetry and our research are the fruit of thousands of years. This is no disparagement to genius in work and thought, genius is at once new, ancient and eternal, even as the blossom is a new thing on the old stem, and belongs to an eternal type. When we hear that a native in Central Africa or New Zealand has produced an oil-painting we know that somehow or other he must have got to Paris. When a European artist writes or paints in Tahiti, what he produces is not a work of Tahitian culture. When civilisation has withered away on some sterilized soil, it can only be revived by new soil and foreign seed.
The continuity of culture, even in civilized times, can only, however, be maintained by constant outlay, just as in arid districts a luxuriant vegetation needs continuous irrigation. The flood of Oriental wealth had to pour itself into Italy in order to bring forth the bloom of Renaissance art. Thousands of patricians, hundreds of temporal and spiritual princes, had to found and to adorn temples and palaces, gardens, monuments, pageants, games and household goods in order that