up, dangling.
"Luck!" grunted Mr. Sneed in gloomy tones. "Is there any such thing as good luck? I knew something would happen when we started out on track thirteen. This company is doomed--I can see that."
"Well, then, please keep it to yourself," requested Mr. Pertell, sharply. "You are getting on the nerves of the ladies, Sneed!"
For Miss Pearl Pennington, and her friend Miss Laura Dixon--the two rather flashily-pretty girls mentioned before--were crying hysterically.
"It doesn't seem to be a very bad smash," went on Mr. Pertell. "Suppose we go out and see what caused it? I hope none of our baggage has been damaged."
"Oh, let's go out and see Russ taking moving pictures of the wreck!" proposed Alice, as she brushed off her blue suit.
"Are you sure you're all right?" asked Ruth, anxiously.
"Oh, certainly! Not hurt at all. Just jolted up a bit. Come on. You too, Daddy!"
Indeed the whole theatrical company, as well as the other passengers, made for the doors of the car. And while they are going out to see the extent of the damage I will take just a moment to make my new readers somewhat better acquainted with the characters of this story.
To begin with the moving picture girls themselves, they were Ruth and Alice DeVere, aged seventeen and fifteen respectively, the daughters of Hosmer DeVere, formerly a well known actor. As told in the first volume, "The Moving Picture Girls; Or, First Appearances in Photo Dramas," Mr. DeVere's voice had suddenly given out, when he was rehearsing for a part in a new play.
This came particularly hard, as he had been without an engagement for some time, and finances were low. The DeVere family lived in the Fenmore Apartment on one of the West Sixtieth streets of New York City. They were, in fact, about to be dispossessed for non-payment of rent when Mr. DeVere experienced a return of an old throat affection, making it impossible for him to speak his lines.
He was replaced in the character, and matters looked black indeed. Across the hall from the DeVere family lived Russ Dalwood, a moving picture operator, with his widowed mother and brother, Billy. Russ learned of the distress of his neighbors, and suggested that as Mr. DeVere could act he might get a place with a moving picture company that produced picture dramas. In this work he would not need to speak very much.
At first Mr. DeVere would not hear of it, as he was an actor of some reputation in the "legitimate." But finally he yielded and became a member of the Comet Film Company. How his two daughters joined the company, through a mere accident, and how they made fame for themselves, you will find set down in the book; also how they aided Russ greatly when it seemed as if a valuable patent he had perfected, for an attachment to a moving picture camera, was in danger of being stolen.
Toward the close of that story you may learn how Mr. Pertell became acquainted with a young farmer named Sandy Apgar, who was working a large farm for his aged father, near Beatonville, in New Jersey. It happened that Mr. Pertell was contemplating the filming of a number of rural plays, and he made arrangements with Mr. Apgar to use the farm as a background for the scenes. The company would also live and board at the farmhouse, which was a large, old-fashioned home.
The players were on their way there when the accident occurred.
To go a little more into detail about the two girls, and the others, I might say that Ruth was tall, with deep blue eyes and light hair. She was rather inclined to be romantic, too, as might be suspected.
Alice was just the opposite--plump, jolly, always laughing or joking, and with a wealth of brown hair, and eyes like hazel nuts. She was very like her dead mother, while Ruth was more like her father in character.
Mr. Pertell was the manager and owner of the Comet Film Company, and I have already mentioned the principal players. Ruth and Alice were the newest members. Miss Pennington and Miss Dixon were from the vaudeville stage, and you could see this without being told. They were a bit jealous of the DeVere girls.
Mrs. Maguire, who was billed as "Cora Ashleigh," was generally played in "old woman parts." And she played them well. Her two grandchildren, Tommy and Nellie, occasionally had small parts in the plays. Mr. Switzer was the comedian, and, opposite to him, was Pepper Sneed, the "grouch." Wellington Bunn seemed always to have a grievance because he had not made a success in Shakespeare.
Pop Snooks was the "Old Reliable" property man of the company, and what he could not manufacture in the way of "props" at short notice was hardly worth mentioning.
The
Continue reading on your phone by scaning this QR Code
Tip: The current page has been bookmarked automatically. If you wish to continue reading later, just open the
Dertz Homepage, and click on the 'continue reading' link at the bottom of the page.