The Moving Picture Girls at Oak Farm | Page 3

where the train for that place left from, they'd laugh. I thought there must be some joke, and I asked about it."
"Was there?"
"Well, not much of one. It seems that Beatonville is about the last place in Jersey that anyone ever heads for. I guess it must consist of the depot and one house--the one where the agent lives. There is only one train a day and the place is so lonesome, the starter said, that the engineer hates to stop there."
"Oh, well, we aren't going there for pleasure--we're going to work," put in Ruth. "Besides, Oak Farm isn't exactly in Beatonville; is it, Russ?"
"No, a few miles out, I believe. Well, it will be a rest for us after the rush of the city, anyhow."
"All aboard!" called a brakeman, and the Comet Film Company, bag and baggage, started for the train that was to take them to new scenes of activity.
"Why do you carry your camera, Russ?" asked Ruth, when she and her sister were seated near the young man, on whom devolved the duty of "filming," or taking, the various scenes of the plays it was planned to produce.
"Oh, I didn't know but what I might see something to 'shoot' it at," he answered, with a laugh. "You know Mr. Pertell sometimes sends films to the Moving Picture Weekly Newspaper--scenes of current events. I might catch one for him on the way."
"I see. Have you ever been to Oak Farm, Russ?"
"Yes, I went up there when Mr. Pertell looked it over to see if it would do for our new rural dramas."
"What sort of a place is it?" asked Alice.
"Very nice--for a farm."
"Isn't there something queer about it?" asked Ruth. "I mean wasn't there some sort of a mystery connected with Sandy Apgar, the young farmer who works it? You know we met him in New York," she added to Alice.
"Yes, I remember."
"Mystery?" spoke Russ, musingly. "Well, I believe there is something wrong about the place--not exactly a mystery, though. Maybe it's some sort of trouble. Well, here we go!"
The train had started out into the "wilds of Jersey," as Wellington Bunn, the tragic actor, put it. It was about forty miles to Beatonville, the trip occupying nearly two hours, for the train was not a fast one. The members of the company conversed on various topics in regard to some of the projected plays.
The train had stopped at a small station, and was gathering speed when there suddenly came such an application of the air brakes as to cause several persons in the aisle to fall. Others slid from their seats, or were thrown against the backs of the seats in front of them.
"What is it?"
"What's the matter?"
"An accident--let's get out!"
Before anyone could do anything, though, there was a terrific smash, and amid the wild tooting of a whistle could be heard the crashing and splintering of wood. Then the train came to a stop with a jerk that further scattered the frightened passengers.
"A smash-up!"
"A collision!"
"Oh, let's get out of here!"
No one could tell who was saying these things. They were shouted over and over again.
Russ Dalwood picked himself up from the floor of the car. A glance told him that no member of the company had been more than jarred or shaken, for their car was intact, and no windows were broken.
He helped Alice back to her seat, from which she had slid. Ruth had risen to her feet. Russ caught up his camera and made for the door.
"Oh, where are you going?" cried Alice, nervously clutching her leather purse. "Is any one hurt?"
"I don't know--I'm going to see," answered Russ. "And I'm going to film this smash. I may be able to get some good pictures for our newspaper service, Mr. Pertell," he added, as he hurried out.
CHAPTER II
A MISSING DOG
After the first crash, the sudden stop, and the terrified cries, a silence followed that was almost as startling and nerve-racking as the accident had been.
Then benumbed senses gradually came back to their owners, and the passengers began to take stock of themselves and their surroundings.
"Is anybody hurt?" demanded Mr. Pertell, as he surveyed the interior of the car.
"We seem to be all right," replied Mr. DeVere, hoarsely, as he noted where his two daughters were standing together, their arms about each other.
"Py gracious, dot vos a smash, all right!" exclaimed Carl Switzer, the comedian of the company. "I pelief me dot I haf busted----"
"Not your leg--don't say you have broken your leg!" cried Mrs. Maguire, as she clasped her two grandchildren in her arms. Nellie, the little girl, was crying, from having bumped her nose against the back of a seat.
"No, t'ank my lucky stars I haf not broken my leg. It iss only my shoe-lace!" exclaimed Mr. Switzer, triumphantly, as he held it