their every laugh of delighted comprehension of Hazlitt or Crothers, is in itself attainment? The creative appreciator of art is always at his goal. And the much-maligned present is the only time at our disposal in which to enjoy the much-advertised future.
Too bad that our literary friends should have gone to extremes on this point! If Robert Louis Stevenson had noted that "to travel hopefully is an easier thing than to arrive," he would undoubtedly have hit the truth. If Mr. Benson had said, "If you attain, God help you bountifully to exuberance," etc., that would have been unexceptionable. It would even have been a more useful--though slightly supererogatory--service, to point out for the million-and-first time that achievement is not all that it seems to be from a considerable distance. In other words, that the laws of perspective will not budge. These writers would thus quite sufficiently have played dentist to Disappointment and extracted his venomous fangs for us in advance. What the gentlemen really should have done was to perform the dentistry first, reminding us once again that a part of attainment is illusory and consists of such stuff as dreams--good and bad--are made of. Then, on the other hand, they should have demonstrated attainment's good points, finally leading up to its supreme advantage. This advantage is--its strategic position.
Arriving beats hoping to arrive, in this: that while the hoper is so keenly hopeful that he has little attention to spare for anything besides the future, the arriver may take a broader, more leisurely survey of things. The hoper's eyes are glued to the distant peak. The attainer of that peak may recover his breath and enjoy a complete panorama of his present achievement and may amuse himself moreover by re-climbing the mountain in retrospect. He has also yonder farther and loftier peak in his eye, which he may now look forward to attacking the week after next; for this little preliminary jaunt is giving him his mountain legs. Hence, while the hoper enjoys only the future, the achiever, if his joy-digesting apparatus be working properly, rejoices with exceeding great joy in past, present, and future alike. He has an advantage of three to one over the merely hopeful traveler. And when they meet this is the song he sings:--
Mistress Joy is at your side Waiting to become a bride.
Soft! Restrain your jubilation. That ripe mouth may not be kissed Ere you stand examination. Mistress Joy's a eugenist.
Is your crony Moderation? Do your senses say you sooth? Are your veins the kind that tingle? Is your soul awake in truth?
If these traits in you commingle Joy no more shall leave you single.
II
THE BRIMMING CUP
Exuberance is the income yielded by a wise investment of one's vitality. On this income, so long as it flows in regularly, the moderate man may live in the Land of the Joyful Heart, incased in triple steel against any arrows of outrageous fortune that happen to stray in across the frontier. Immigrants to this land who have no such income are denied admission. They may steam into the country's principal port, past the great statue of the goddess Joy who holds aloft a brimming cup in the act of pledging the world. But they are put ashore upon a small island for inspection. And so soon as the inferior character of their investments becomes known, or their recklessness in eating into their principal, they are deported.
The contrast between those within the well-guarded gates and those without is an affecting one. The latter often squander vast fortunes in futile attempts to gain a foothold in the country. And they have a miserable time of it. Many of the natives, on the other hand, are so poor that they have constantly to fight down the temptation to touch their principal. But every time they resist, the old miracle happens for them once more: the sheer act of living turns out to be "paradise enow."
Now no mere fullness of life will qualify a man for admission to the Land of the Joyful Heart. One must have overflowingness of life. In his book "The Science of Happiness" Jean Finot declares, that the "disenchantment and the sadness which degenerate into a sort of pessimistic melancholy are frequently due to the diminution of the vital energy. And as pain and sorrow mark the diminution, the joy of living and the upspringing of happiness signify the increase of energy.... By using special instruments, such as the plethysmograph of Hallion, the pneumograph of Marey, the sphygmometer of Cheron, and so many others which have come in fashion during these latter years, we have succeeded in proving experimentally that joy, sadness, and pain depend upon our energy." To keep exuberant one must possess more than just enough vitality to fill the cup of the present.
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