The Italian | Page 8

of the country, a serenade should be given; he maintained, that, if she was not disinclined towards him, some sign of approbation would appear; and if otherwise, that she would remain silent and invisible. Vivaldi objected to this coarse and inadequate mode of expressing a love so sacred as his, and he had too lofty an opinion of Ellena's mind and delicacy, to believe, that the trifling homage of a serenade would either flatter her self-love, or interest her in his favour; nor, if it did, could he venture to believe, that she would display any sign of approbation.
His friend laughed at his scruples and at his opinion of what he called such romantic delicacy, that his ignorance of the world was his only excuse for having cherished them. But Vivaldi interrupted this raillery, and would neither suffer him for a moment to speak thus of Ellena, or to call such delicacy romantic. Bonarmo, however, still urged the serenade as at least a possible means of discovering her disposition towards him before he made a formal avowal of his suit; and Vivaldi, perplexed and distracted with apprehension and impatience to terminate his present state of suspense, was at length so far overcome by his own difficulties, rather than by his friend's persuasion, that he consented to make the adventure of a serenade on the approaching night. This was adopted rather as a refuge from despondency, than with any hope of success; for he still believed that Ellena would not give any hint, that might terminate his uncertainty.
Beneath their cloaks they carried musical instruments, and, muffling up their faces, so that they could not be known, they proceeded in thoughtful silence on the way to the villa Altieri. Already they had passed the arch, in which Vivaldi was stopped by the stranger on the preceding night, when he heard a sudden sound near him, and, raising his head from the cloak, he perceived the same figure! Before he had time for exclamation, the stranger crossed him again. "Go not to the villa Altieri," said he in a solemn voice, "lest you meet the fate you ought to dread."
"What fate?" demanded Vivaldi, stepping back; "Speak, I conjure you!"
But the monk was gone, and the darkness of the hour baffled observation as to the way of his departure.
"Dio mi guardi!" exclaimed Bonarmo, "this is almost beyond belief! but let us return to Naples; this second warning ought to be obeyed."
"it is almost beyond endurance," exclaimed Vivaldi; "which way did he pass?"
"He glided by me," replied Bonarmo, "and he was gone before I could cross him!"
"I will tempt the worst at once," said Vivaldi; "if I have a rival, it is best to meet him. Let us go on."
Bonarmo remonstrated, and represented the serious danger that threatened from so rash a proceeding. "It is evident that you have a rival," said he; "and your courage cannot avail you against hired bravos." Vivaldi's heart swelled at the mention of a rival. "If you think it dangerous to proceed, I will go alone," said he.
Hurt by this reproof, Bonarmo accompanied his friend in silence, and they reached without interruption the boundary of the villa. Vivaldi led to the place by which he had entered on the preceding night, and they passed unmolested into the garden.
"Where are these terrible bravos of whom you warned me?" said Vivaldi, with taunting exultation.
"Speak cautiously," replied his friend; "we may, even now, be within their reach."
"They also may be within ours," observed Vivaldi.
At length, these adventurous friends came to the orangery, which was near the house, when, tired by the ascent, they rested to recover breath, and to prepare their instruments for the serenade. The night was still, and they now heard, for the first time, murmurs as of a distant multitude; and then the sudden splendor of fireworks broke upon the sky. These arose from a villa on the western margin of the bay, and were given in honour of the birth of one of the royal princes. They soared to an immense height, and, as their lustre broke silently upon the night, it lightened on the thousand up-turned faces of the gazing crowd, illumined the waters of the bay, with every little boat that skimmed its surface, and shewed distinctly the whole sweep of its rising shores, the stately city of Naples on the strand below, and, spreading far among the hills, its terraced roofs crowded with spectators, and the Corso tumultuous with carriages and blazing with torches.
While Bonarmo surveyed this magnificent scene, Vivaldi turned his eyes to the residence of Ellena, part of which looked out from among the trees, with a hope that the spectacle would draw her to a balcony; but she did not appear, nor was there any light, that might indicate her approach.
While they