The Fables of La Fontaine | Page 6

Jean de La Fontaine
pithy, and epigrammatic, and their collections were without any principle of connection. But, at the same time, though probably unknown to them, the same species of literature was flourishing elsewhere under a somewhat different form. It is made a question, whether Aesop, through the Assyrians, with whom the Phrygians had commercial relations, did not either borrow his art from the Orientals, or lend it to them. This disputed subject must be left to those who have a taste for such inquiries. Certain it is, however, that fable flourished very anciently with the people whose faith embraces the doctrine of metempsychosis. Among the Hindoos, there are two very ancient collections of fables, which differ from those which we have already mentioned, in having a principle of connection throughout. They are, in fact, extended romances, or dramas, in which all sorts of creatures are introduced as actors, and in which there is a development of sentiment and passion as well as of moral truth, the whole being wrought into a system of morals particularly adapted to the use of those called to govern. One of these works is called the Pantcha Tantra, which signifies "Five Books," or Pentateuch. It is written in prose. The other is called the Hitopadesa, or "Friendly Instruction," and is written in verse. Both are in the ancient Sanscrit language, and bear the name of a Brahmin, Vishnoo Sarmah,[1] as the author. Sir William Jones, who is inclined to make this author the true Aesop of the world, and to doubt the existence of the Phrygian, gives him the preference to all other fabulists, both in regard to matter and manner. He has left a prose translation of the Hitopadesa, which, though it may not fully sustain his enthusiastic preference, shows it not to be entirely groundless. We give a sample of it, and select a fable which La Fontaine has served up as the twenty-seventh of his eighth book. It should be understood that the fable, with the moral reflections which accompany it, is taken from the speech of one animal to another.
[1] Vishnoo Sarmah.--Sir William Jones has the name
Vishnu-sarman. He says, further, that the word?Hitopadesa_ comes from _hita, signifying fortune,?prosperity, utility, and upadesa, signifying advice,?the entire word meaning "salutary or amicable?instruction."--Ed.
"Frugality should ever be practised, but not excessive parsimony; for see how a miser was killed by a bow drawn by himself!"
"How was that?" said Hiranyaca.
"In the country of Calyanacataca," said Menthara, "lived a mighty hunter, named Bhairaza, or Terrible. One day he went, in search of game, into a forest on the mountains Vindhya; when, having slain a fawn, and taken it up, he perceived a boar of tremendous size; he therefore threw the fawn on the ground, and wounded the boar with an arrow; the beast, horribly roaring, rushed upon him, and wounded him desperately, so that he fell, like a tree stricken with an axe.

"In the meanwhile, a jackal, named Lougery, was roving in search of food; and, having perceived the fawn, the hunter, and the boar, all three dead, he said to himself, 'What a noble provision is here made for me!'
"As the pains of men assail them unexpectedly, so their pleasures come in the same manner; a divine power strongly operates in both.
"'Be it so; the flesh of these three animals will sustain me a whole month, or longer.
"'A man suffices for one month; a fawn and a boar, for two; a snake, for a whole day; and then I will devour the bowstring.' When the first impulse of his hunger was allayed, he said, 'This flesh is not yet tender; let me taste the twisted string with which the horns of this bow are joined.' So saying, he began to gnaw it; but, in the instant when he had cut the string, the severed bow leaped forcibly up, and wounded him in the breast, so that he departed in the agonies of death. This I meant, when I cited the verse, Frugality should ever be practised, &c.

"What thou givest to distinguished men, and what thou eatest every day--that, in my opinion, is thine own wealth: whose is the remainder which thou hoardest?"
Works of Sir William Jones, vol. vi. pp. 35-37.[2]
[2] Edition 1799, 6 vols., 4to.--Ed.
It was one of these books which Chosro?s, the king of Persia, caused to be translated from the Sanscrit into the ancient language of his country, in the sixth century of the Christian era, sending an embassy into Hindostan expressly for that purpose. Of the Persian book a translation was made in the time of the Calif Mansour, in the eighth century, into Arabic. This Arabic translation it is which became famous under the title of "The Book of Calila and Dimna, or the Fables of Bidpa?."[3]
[3] An English translation from the Arabic appeared in 1819,
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