The Diary of a Man of Fifty | Page 8

I meant to go tonight to
Casa Salvi, but I couldn't bring myself to the point. I don't know what
I'm afraid of; I used to be in a hurry enough to go there once. I suppose
I am afraid of the very look of the place--of the old rooms, the old walls.
I shall go tomorrow night. I am afraid of the very echoes.
10th.--She has the most extraordinary resemblance to her mother.
When I went in I was tremendously startled; I stood starting at her. I
have just come home; it is past midnight; I have been all the evening at
Casa Salvi. It is very warm--my window is open--I can look out on the
river gliding past in the starlight. So, of old, when I came home, I used
to stand and look out. There are the same cypresses on the opposite
hills.
Poor young Stanmer was there, and three or four other admirers; they
all got up when I came in. I think I had been talked about, and there
was some curiosity. But why should I have been talked about? They
were all youngish men--none of them of my time. She is a wonderful
likeness of her mother; I couldn't get over it. Beautiful like her mother,
and yet with the same faults in her face; but with her mother's perfect
head and brow and sympathetic, almost pitying, eyes. Her face has just
that peculiarity of her mother's, which, of all human countenances that I
have ever known, was the one that passed most quickly and completely
from the expression of gaiety to that of repose. Repose in her face
always suggested sadness; and while you were watching it with a kind
of awe, and wondering of what tragic secret it was the token, it kindled,
on the instant, into a radiant Italian smile. The Countess Scarabelli's
smiles tonight, however, were almost uninterrupted. She greeted
me--divinely, as her mother used to do; and young Stanmer sat in the
corner of the sofa-- as I used to do--and watched her while she talked.
She is thin and very fair, and was dressed in light, vaporous black that
completes the resemblance. The house, the rooms, are almost
absolutely the same; there may be changes of detail, but they don't
modify the general effect. There are the same precious pictures on the
walls of the salon--the same great dusky fresco in the concave ceiling.
The daughter is not rich, I suppose, any more than the mother. The
furniture is worn and faded, and I was admitted by a solitary servant,

who carried a twinkling taper before me up the great dark marble
staircase.
"I have often heard of you," said the Countess, as I sat down near her;
"my mother often spoke of you."
"Often?" I answered. "I am surprised at that."
"Why are you surprised? Were you not good friends?"
"Yes, for a certain time--very good friends. But I was sure she had
forgotten me."
"She never forgot," said the Countess, looking at me intently and
smiling. "She was not like that."
"She was not like most other women in any way," I declared.
"Ah, she was charming," cried the Countess, rattling open her fan. "I
have always been very curious to see you. I have received an
impression of you."
"A good one, I hope."
She looked at me, laughing, and not answering this: it was just her
mother's trick.
"'My Englishman,' she used to call you--'il mio Inglese.'"
"I hope she spoke of me kindly," I insisted.
The Countess, still laughing, gave a little shrug balancing her hand to
and fro. "So-so; I always supposed you had had a quarrel. You don't
mind my being frank like this--eh?"
"I delight in it; it reminds me of your mother."
"Every one tells me that. But I am not clever like her. You will see for
yourself."
"That speech," I said, "completes the resemblance. She was always
pretending she was not clever, and in reality--"
"In reality she was an angel, eh? To escape from dangerous
comparisons I will admit, then, that I am clever. That will make a
difference. But let us talk of you. You are very--how shall I say
it?--very eccentric."
"Is that what your mother told you?"
"To tell the truth, she spoke of you as a great original. But aren't all
Englishmen eccentric? All except that one!" and the Countess pointed
to poor Stanmer, in his corner of the sofa.
"Oh, I know just what he is," I said.
"He's as quiet as a lamb--he's like all the world," cried the Countess.

"Like all the world--yes. He is in love with you."
She looked at me with sudden gravity. "I don't object to your saying
that for all the world--but I do for him."