permitted the tale-teller to come reverently for instruction in his art to the mightiest teacher of all, who, whether in the page or on the scene, would give to airy fancies the breath and the form of life, - such, we may observe, is the lesson the humblest craftsman in historical romance may glean from the Historical Plays of Shakespeare. Necessarily, Shakespeare consulted history according to the imperfect lights, and from the popular authorities, of his age; and I do not say, therefore, that as an historian we can rely upon Shakespeare as correct. But to that in which he believed he rigidly adhered; nor did he seek, as lesser artists (such as Victor Hugo and his disciples) seek now, to turn perforce the Historical into the Poetical, but leaving history as he found it, to call forth from its arid prose the flower of the latent poem. Nay, even in the more imaginative plays which he has founded upon novels and legends popular in his time, it is curious and instructive to see how little he has altered the original ground-work - taking for granted the main materials of the story, and reserving all his matchless resources of wisdom and invention, to illustrate from mental analysis, the creations whose outline he was content to borrow. He receives, as a literal fact not to be altered, the somewhat incredible assertion of the novelist, that the pure and delicate and highborn Venetian loves the swarthy Moor - and that Romeo fresh from his "woes for Rosaline," becomes suddenly enamoured of Juliet: He found the Improbable, and employed his art to make it truthful.
That "Rienzi" should have attracted peculiar attention in Italy, is of course to be attributed to the choice of the subject rather than to the skill of the Author. It has been translated into the Italian language by eminent writers; and the authorities for the new view of Rienzi's times and character which the Author deemed himself warranted to take, have been compared with his text by careful critics and illustrious scholars, in those states in which the work has been permitted to circulate. (In the Papal States, I believe, it was neither, prudently nor effectually, proscribed.) I may say, I trust without unworthy pride, that the result has confirmed the accuracy of delineations which English readers relying only on the brilliant but disparaging account in Gibbon deemed too favourable; and has tended to restore the great Tribune to his long forgotten claims to the love and reverence of the Italian land. Nor, if I may trust to the assurances that have reached me from many now engaged in the aim of political regeneration, has the effect of that revival of the honours due to a national hero, leading to the ennobling study of great examples, been wholly without its influence upon the rising generation of Italian youth, and thereby upon those stirring events which have recently drawn the eyes of Europe to the men and the lands beyond the Alps.
In preparing for the Press this edition of a work illustrative of the exertions of a Roman, in advance of his time, for the political freedom of his country, and of those struggles between contending principles, of which Italy was the most stirring field in the Middle Ages, it is not out of place or season to add a few sober words, whether as a student of the Italian Past, or as an observer, with some experience of the social elements of Italy as it now exists, upon the state of affairs in that country.
It is nothing new to see the Papal Church in the capacity of a popular reformer, and in contra-position to the despotic potentates of the several states, as well as to the German Emperor, who nominally inherits the sceptre of the Caesars. Such was its common character under its more illustrious Pontiffs; and the old Republics of Italy grew up under the shadow of the Papal throne, harbouring ever two factions - the one for the Emperor, the one for the Pope - the latter the more naturally allied to Italian independence. On the modern stage, we almost see the repetition of many an ancient drama. But the past should teach us to doubt the continuous and stedfast progress of any single line of policy under a principality so constituted as that of the Papal Church - a principality in which no race can be perpetuated, in which no objects can be permanent; in which the successor is chosen by a select ecclesiastical synod, under a variety of foreign as well as of national influences; in which the chief usually ascends the throne at an age that ill adapts his mind to the idea of human progress, and the active direction of mundane affairs; -
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