Peeps at Many Lands: Japan | Page 8

of a young couple in the poorer classes are: a bare matted room (capable or not of division), two wooden pillows, a few cotton futons (quilts), and a sliding panel, behind which to conceal them in the daytime, a wooden rice bucket and ladle, a wooden wash-bowl, an iron kettle, a hibachi (warming and cooking stove), a tray or two, a teapot or two, two lacquer rice-bowls, a dinner box, a few china cups, a few towels, a bamboo switch for sweeping, a tabako-bon (apparatus for tobacco-smoking), an iron pot, and a few shelves let into a recess, all of which can be purchased for something under ��2."
These young people would, however, have everything quite comfortable about them, and housekeeping can be set up at a still lower figure, if necessary. Excellent authorities say, and give particulars to prove, that a coolie household may be established in full running order for 5-1/2 yen--that is, somewhere about a sovereign.
In better-class houses the same simplicity prevails, though the building may be of costly materials, with posts and ceilings of ebony inlaid with gold, and floors of rare polished woods. The screens (shoji) still separate the rooms; the shutters (amado) enclose it at night. There are neither doors nor passages. When you wish to pass from one room to the next you slide back one of the shoji, and shut it after you. So you go from room to room until you reach the one of which you are in search. The shoji are often beautifully painted, and in each room is hung a kakemono (a wall picture, a painting finely executed on a strip of silk). A favourite subject is a branch of blossoming cherry, and this, painted upon white silk, gives an effect of wonderful freshness and beauty.
There is no chimney, for a Japanese house knows nothing of a fireplace. The simple cooking is done over a stove burning charcoal, the fumes of which wander through the house and disperse through the hundred openings afforded by the loosely-fitting paper walls. To keep warm in cold weather the Japanese hug to themselves and hang over smaller stoves, called hibachi, metal vessels containing a handful of smouldering charcoal.
In the rooms there are neither tables nor chairs. The floor is covered with most beautiful mats, as white as snow and as soft as a cushion, for they are often a couple of inches thick. They are woven of fine straw, and on these the Japanese sit, with their feet tucked away under them. At dinner-time small, low tables are brought in, and when the meal is finished, the tables are taken away again. Chairs are never used, and the Japanese who wishes to follow Western ways has to practise carefully how to sit on a chair, just as we should have to practise how to sit on our feet as he does at home.
When bedtime comes, there is no change of room. The sitting-room by day becomes the bedroom by night. A couple of wooden pillows and some quilts are fetched from a cupboard; the quilts are spread on the floor, the pillows are placed in position, and the bed is ready. The pillows would strike us as most uncomfortable affairs. They are mere wooden neckrests, and European travellers who have tried them declare that it is like trying to go to sleep with your head hanging over a wooden door-scraper.
As they both sit and sleep on their matting-covered floors, we now see why the Japanese never wear any boots or clogs in the house. To do so would make their beautiful and spotless mats dirty; so all shoes are left at the door, and they walk about the house in the tabi, the thick glove-like socks.

CHAPTER VII
IN THE HOUSE (_continued_)
Even supposing that a well-to-do Japanese has a good deal of native furniture--such as beautifully painted screens, handsome vases, tables of ebony inlaid with gold or with fancy woods, and so forth--yet he does not keep them in the house. He stores them away in a special building, and a servant runs and fetches whatever may be wanted. When the article has served its purpose, it is taken back again.
This building is called a godown. It is built of cement, is painted black, and bears the owner's monogram in a huge white design. It is considered to be fireproof, though it is not always so, and is meant to preserve the family treasures in case of one of the frequent fires. It may be stored with a great variety of furniture and ornaments, but very few see the light at one time.
The Japanese does not fill his house with all the decorations he may own, and live with them constantly. If he has a number of beautiful porcelain jars and vases, he has one