left, and making the younger woman's life a sheer misery. The mother-in-law has escaped from the land of bondage. It is no longer her duty to rise at dawn and open the house; she can lie in bed, and be waited upon by the young wife; she is free to go here and there, and she does not let her chances slip; she begins once more to thoroughly enjoy life.
It may be doubted, however, whether these conditions will hold their own against the flood of Western customs and Western views which has begun to flow into Japan. At present the deeply-seated ideas which rule home-life are but little shaken in the main, but it is very likely that the modern Japanese girl will revolt against this spending of the best years of her life as an upper and unpaid servant to her husband's friends and relations. But at the present moment, for great sections of Japanese society, the old ways still stand, and stand firmly.
It was formerly the custom for a woman to make herself as ugly as possible when she was married. This was to show that she wished to draw no attention from anyone outside her own home. As a rule she blackened her teeth, which gave her a hideous appearance when she smiled. This custom is now dying out, though plenty of women with blackened teeth are still to be seen.
Should a Japanese wife become a widow, she is expected to show her grief by her desolate appearance. She shaves her head, and wears garments of the most mournful look. It has been said that a Japanese girl has the look of a bird of Paradise, the Japanese wife of a dove, and the Japanese widow of a crow.
CHAPTER VI
IN THE HOUSE
A Japanese house is one of the simplest buildings in the world. Its main features are the roof of tiles or thatch, and the posts which support the latter. By day the walls are of oiled paper; by night they are formed of wooden shutters, neither very thick nor very strong. As a rule, the house is of but one story, and its flimsiness comes from two reasons, both very good ones.
The first is that Japan is a home of earthquakes, and when an earthquake starts to rock the land and topple the houses about the peoples' ears, then a tall, strong house of stone or brick would be both dangerous in its fall and very expensive to put up again. The second is that Japan is a land of fires. The people are very careless. They use cheap lamps and still cheaper petroleum. A lamp explodes or gets knocked over; the oiled paper walls burst into a blaze; the blaze spreads right and left, and sweeps away a few streets, or a suburb of a city, or a whole village. The Jap takes this very calmly. He gets a few posts, puts the same tiles up again for a roof, or makes a new thatch, and, with a few paper screens and shutters, there stands his house again.
A house among the poorer sort of Japanese consists of one large room in the daytime. At night it is formed into as many bedrooms as its owner requires. Along the floor, which is raised about a foot from the ground, and along the roof run a number of grooves, lengthways and crossways. Frames covered with paper, called shoji, slide along these grooves and form the wall between chamber and chamber. The front of the house is, as a rule, open to the street, but if the owners wish for privacy they slide a paper screen into position. At night wooden shutters, called amado, cover the screens. Each shutter is held in place by the next, and the last shutter is fastened by a wooden bolt.
The Japanese are very fond of fresh air and sunshine. Unless the day is too wet or stormy, the front of the house always stands open. If the sun is too strong a curtain is hung across for shade, and very often this curtain bears a huge white symbol representing his name, just as an Englishman puts his name on a brass plate on his front-door. The furniture in these houses is very simple. The floor is covered with thick mats, which serve for chairs and bed, as people both sit and sleep on them. For table a low stool suffices, and for a young couple to set up housekeeping in Japan is a very simple matter. As Mrs. Bishop, the well-known writer, remarks:
"Among the strong reasons for deprecating the adoption of foreign houses, furniture, and modes of living by the Japanese, is that the expense of living would be so largely, increased as to render early marriages impossible. At present the requirements
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