battle, the remainder were scattered southward. Beyond the brief record by a contemporary, Prosper, we know but little of this event. It has been conjectured that the Huns were on this occasion acting as auxiliaries of Aetius. At any rate it is fairly certain that Attila was not personally on the scene.\
We can easily imagine what a profound impression this extinction of the Burgundians would produce upon the minds of their neighbors the Rhine Franks. Fact, too, would soon become mingled with fiction. This new feat was ascribed to Attila himself, already too well known as the scourge of Europe and the subduer of so many German tribes. A very few years later, however, fate was to subdue the mighty conqueror himself. With the great battle of Chalons in 451 the tide turned against him, and two years afterwards he died a mysterious death. The historian Jordanes of the sixth century relates that on the morning after Attila's wedding with a German princess named Ildico (Hildiko) he was found lying in bed in a pool of blood, having died of a hemorrhage. The mysteriousness of Attila's ending inspired his contemporaries with awe, and the popular fancy was not slow to clothe this event also in a dress of fiction. The attendant circumstances peculiarly favored such a process. Historians soon recorded the belief that Attila had perished at the hands of his wife, and it was only a step further for the imagination to find the motive for the deed in the desire of Hildiko to avenge the death of her German kinsmen who had perished through Attila. The saga of Attila's death is before long connected with the growing Burgundian saga, Hildiko becomes the sister of the Burgundian kings Gundahari, Godomar, and Gislahari, and her deed is vengeance taken upon Attila for his destruction of her brothers. As is seen at once from the outline I have already given (Chapter 2.) of the saga as we find it in the Edda, this is the stage of development it had reached when it began to find its way northward from the Rhine country to Norway and Iceland.\
It is unnecessary here to record the speculations--for beyond speculations we cannot go--as to how the union of this historical saga of the Burgundians and Attila with the Siegfried saga took place. In the course of time, and naturally with greatest probability among the Rhine Franks who followed the Burgundians as occupants of
\f2\i Germania prima
\f0\i0 , the two were brought together, and the three Burgundian kings and their sister were identified with the three Nibelungen kings and their sister of the already localized Siegfried saga. It is also beyond the scope of this introduction to follow the course of the saga northward or to note its further evolution during its wanderings and in its new home until it was finally recorded in poetic form in the Edda. We have now to consider briefly the transformation it passed through in Germany between this date (about 500) and the time (about 1200) when it emerges in written record as the Nibelungenlied.\
An account has already been given (Chapter 3.) of the chief features in which the Nibelungenlied differs from the Northern form. As we saw there, the mythical element of the Siegfried saga has almost entirely evaporated and the historical saga of the Burgundian kings and Attila has undergone a complete transformation. That the originally mythical and heathen Siegfried saga should dwindle away with the progress of civilization and under the influence of Christianity was but natural. The character of the valkyrie Brynhild who avenges upon Sigurd his infidelity to her, yet voluntarily unites herself with him in death, as heathen custom demanded, is no longer intelligible. She recedes into the background, and after Siegfried's death, though she is still living, she plays no further part. The Nibelungenlied found its final form on Upper German, doubtless Austrian, territory. Here alone was it possible that that greatest of all transformations could take place, namely, in the character of Attila. The Franks of the Rhine knew him only as the awe-inspiring conqueror who had annihilated their neighbors the Burgundians. In Austrian lands it was quite otherwise. Many Germanic tribes, particularly the East Goths, had fought under the banner of Attila, and in the tradition handed down from them he lived as the embodiment of wisdom and generosity. Here it was impossible that epic story should picture him as slaying the Burgundian kings through a covetous desire for their gold. The annihilation of the Burgundians is thus left without a motive. To supply this, Kriemhild's character is placed upon an entirely different basis. Instead of avenging upon Attila the death of her brothers the Burgundian kings, Kriemhild now avenges upon her brothers the slaying of her first husband Siegfried. This
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