Milton | Page 5

Mark Pattison
distaste. In a mind of the consistent texture of Milton's, motives are secretly influential before they emerge in consciousness. We shall not be wrong in asserting that when he left Cambridge in 1632, it was already impossible, in the nature of things, that he should have taken orders in the Church of England, or a fellowship of which orders were a condition.

CHAPTER II
.
RESIDENCE AT HORTON--L'ALLEGRO--IL PENSEROSO--ARCADES--COMUS--LYCIDAS.
Milton had been sent to college to quality for a profession. The church, the first intended, he had gradually discovered to be incompatible. Of the law, either his father's branch, or some other, he seems to have entertained a thought, but to have speedily dismissed it. So at the age of twenty-four he returned to his father's house, bringing nothing with him but his education and a silent purpose. The elder Milton had now retired from business, with sufficient means but not with wealth. Though John was the eldest son, there were two other children, a brother, Christopher, and a sister, Anne. To have no profession, even a nominal one, to be above trade and below the status of squire or yeoman, and to come home with the avowed object of leading an idle life, was conduct which required justification. Milton felt it to be so. In a letter addressed, in 1632, to some senior friend at Cambridge, name unknown, he thanks him for being "a good watchman to admonish that the hours of the night pass on, for so I call my life as yet obscure and unserviceable to mankind, and that the day with me is at hand, wherein Christ commands all to labour." Milton has no misgivings. He knows that what he is doing with himself is the best he can do. His aim is far above bread-winning, and therefore his probation must be long. He destines for himself no indolent tarrying in the garden of Armida. His is a "mind made and set wholly on the accomplishment of greatest things." He knows that the looker-on will hardly accept his apology for "being late," that it is in order to being "more fit." Yet it is the only apology he can offer. And he is dissatisfied with his own progress. "I am something suspicious of myself, and do take notice of a certain belatedness in me."
Of this frame of mind the record is the second sonnet, lines which are an inseparable part of Milton's biography--
How soon hath Time, the subtle thief of youth, Stol'n on his wing my three-and-twentieth year! My hasting days fly on with full career, But my late spring no bud or blossom shew'th. Perhaps my semblance might deceive the truth That I to manhood am arrived so near, And inward ripeness doth much less appear, That some more timely-happy spirits endu'th. Yet, be it less or more, or soon or slow, It shall be still in strictest measure even To that same lot, however mean or high, Toward which Time leads me, and the will of Heaven. All is, if I have grace to use it so, As ever in my great Taskmaster's eye.
With aspirations thus vast, though unformed, with "amplitude of mind to greatest deeds," Milton retired to his father's house in the country. Five more years of self-education, added to the seven years of academical residence, were not too much for the meditation of projects such as Milton was already conceiving. Years many more than twelve, filled with great events and distracting interests, were to pass over before the body and shape of Paradise Lost was given to these imaginings.
The country retirement in which the elder Milton had fixed himself was the little village of Horton, situated in that southernmost angle of the county of Buckingham, which insinuates itself between Berks and Middlesex. Though London was only about seventeen miles distant, it was the London of Charles I., with its population of some 300,000 only; before coaches and macadamised roads; while the Colne, which flows through the village, was still a river, and not the kennel of a paper-mill. There was no lack of water and woods meadow and pasture, closes and open field, with the regal towers of Windsor--"bosom'd high in tufted trees," to crown the landscape. Unbroken leisure, solitude, tranquillity of mind, surrounded by the thickets and woods, which Pliny thought indispensable to poetical meditation (Epist.9.10), no poet's career was ever commenced under more favourable auspices. The youth of Milton stands in strong contrast with the misery, turmoil, chance medley, struggle with poverty, or abandonment to dissipation, which blighted the early years of so many of our men of letters.
Milton's life is a drama in three acts. The first discovers him in the calm and peaceful retirement of Horton, of which _L'Allegro_, _Il Penseroso_, and Lycidas are the expression. In the second act he
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