Fashions in Literature | Page 9

prevailing type of hero and heroine, according to the pattern set by the first one or two stories of the sort which became popular, and we see its more or less mechanical construction, and how easily it degenerates into commercial book-making. Now while some of this writing has an individual flavor that makes it entertaining and profitable in this way, we may be excused from attempting to follow it all merely because it happens to be talked about for the moment, and generally talked about in a very undiscriminating manner. We need not in any company be ashamed if we have not read it all, especially if we are ashamed that, considering the time at our disposal, we have not made the acquaintance of the great and small masterpieces of literature. It is said that the fashion of this world passeth away, and so does the mere fashion in literature, the fashion that does not follow the eternal law of beauty and symmetry, and contribute to the intellectual and spiritual part of man. Otherwise it is only a waiting in a material existence, like the lovers, in the words of the Arabian story-teller, "till there came to them the Destroyer of Delights and the Sunderer of Companies, he who layeth waste the palaces and peopleth the tombs."
Without special anxiety, then, to keep pace with all the ephemeral in literature, lest we should miss for the moment something that is permanent, we can rest content in the vast accumulation of the tried and genuine that the ages have given us. Anything that really belongs to literature today we shall certainly find awaiting us tomorrow.
The better part of the life of man is in and by the imagination. This is not generally believed, because it is not generally believed that the chief end of man is the accumulation of intellectual and spiritual material. Hence it is that what is called a practical education is set above the mere enlargement and enrichment of the mind; and the possession of the material is valued, and the intellectual life is undervalued. But it should be remembered that the best preparation for a practical and useful life is in the high development of the powers of the mind, and that, commonly, by a culture that is not considered practical. The notable fact about the group of great parliamentary orators in the days of George III is the exhibition of their intellectual resources in the entire world of letters, the classics, and ancient and modern history. Yet all of them owed their development to a strictly classical training in the schools. And most of them had not only the gift of the imagination necessary to great eloquence, but also were so mentally disciplined by the classics that they handled the practical questions upon which they legislated with clearness and precision. The great masters of finance were the classically trained orators William Pitt and Charles James Fox.
In fine, to return to our knowledge of the short life of fashions that are for the moment striking, why should we waste precious time in chasing meteoric appearances, when we can be warmed and invigorated in the sunshine of the great literatures?


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