Fashions in Literature | Page 8

ourselves.
I am not concerned to define here what is meant by literature. A great mass of it has been accumulated in the progress of mankind, and, fortunately for different wants and temperaments, it is as varied as the various minds that produced it. The main thing to be considered is that this great stream of thought is the highest achievement and the most valuable possession of mankind. It is not only that literature is the source of inspiration to youth and the solace of age, but it is what a national language is to a nation, the highest expression of its being. Whatever we acquire of science, of art, in discovery, in the application of natural laws in industries, is an enlargement of our horizon, and a contribution to the highest needs of man, his intellectual life. The controversy between the claims of the practical life and the intellectual is as idle as the so-called conflict between science and religion. And the highest and final expression of this life of man, his thought, his emotion, his feeling, his aspiration, whatever you choose to call it, is in the enduring literature he creates. He certainly misses half his opportunity on this planet who considers only the physical or what is called the practical. He is a man only half developed. I can conceive no more dreary existence than that of a man who is past the period of business activity, and who cannot, for his entertainment, his happiness, draw upon the great reservoir of literature. For what did I come into this world if I am to be like a stake planted in a fence, and not like a tree visited by all the winds of heaven and the birds of the air?
Those who concern themselves with the printed matter in books and periodicals are often in despair over the volume of it, and their actual inability to keep up with current literature. They need not worry. If all that appears in books, under the pressure of publishers and the ambition of experimenters in writing, were uniformly excellent, no reader would be under any more obligation to read it than he is to see every individual flower and blossoming shrub. Specimens of the varieties would suffice. But a vast proportion of it is the product of immature minds, and of a yearning for experience rather than a knowledge of life. There is no more obligation on the part of the person who would be well informed and cultivated to read all this than there is to read all the colored incidents, personal gossip, accidents, and crimes repeated daily, with sameness of effect, in the newspapers, some of the most widely circulated of which are a composite of the police gazette and the comic almanac. A great deal of the reading done is mere contagion, one form or another of communicated grippe, and it is consoling and even surprising to know that if you escape the run of it for a season, you have lost nothing appreciable. Some people, it has been often said, make it a rule never to read a book until it is from one to five years old, By this simple device they escape the necessity of reading most of them, but this is only a part of their gain. Considering the fact that the world is full of books of the highest value for cultivation, entertainment, and information, which the utmost leisure we can spare from other pressing avocations does not suffice to give us knowledge of, it does seem to be little less than a moral and intellectual sin to flounder about blindly in the flood of new publications. I am speaking, of course, of the general mass of readers, and not of the specialists who must follow their subjects with ceaseless inquisition. But for most of us who belong to the still comparatively few who, really read books, the main object of life is not to keep up with the printing-press, any more than it is the main object of sensible people to follow all the extremes and whims of fashion in dress. When a fashion in literature has passed, we are surprised that it should ever have seemed worth the trouble of studying or imitating. When the special craze has passed, we notice another thing, and that is that the author, not being of the first rank or of the second, has generally contributed to the world all that he has to give in one book, and our time has been wasted on his other books; and also that in a special kind of writing in a given period--let us say, for example, the historico-romantic--we perceive that it all has a common character, is constructed on the same lines of adventure and with a