ever been doubtful of the quality of the translator's English, fearful of the introduction of foreign words, foreign idioms, to the men who have cared most about the destinies of the vernacular,--men like Caxton, More, or Dryden,--translation has appeared not an enemy to the mother tongue, but a means of enlarging and clarifying it. In the time of Elizabeth the translator often directed his appeal more especially to those who loved their country's language and wished to see it become a more adequate medium of expression. That he should, then, look upon translation as a promising experiment, rather than a doubtful compromise, is an essential characteristic of the good critic.
The necessity for open-mindedness, indeed, in some degree accounts for the tentative quality in so much of the theory of translation. Translation fills too large a place, is too closely connected with the whole course of literary development, to be disposed of easily. As each succeeding period has revealed new fashions in literature, new avenues of approach to the reader, there have been new translations and the theorist has had to reverse or revise the opinions bequeathed to him from a previous period. The theory of translation cannot be reduced to a rule of thumb; it must again and again be modified to include new facts. Thus regarded it becomes a vital part of our literary history, and has significance both for those who love the English language and for those who love English literature.
In conclusion, it remains only to mention a few of my many obligations. To the libraries of Princeton and Harvard as well as Columbia University I owe access to much useful material. It is a pleasure to acknowledge my indebtedness to Professors Ashley H. Thorndike and William W. Lawrence and to Professor William H. Hulme of Western Reserve University for helpful criticism and suggestions. In especial I am deeply grateful to Professor George Philip Krapp, who first suggested this study and who has given me constant encouragement and guidance throughout its course.
April, 1919.
CONTENTS
CHAPTER PAGE
I. THE MEDIEVAL PERIOD 3
II. THE TRANSLATION OF THE BIBLE 49
III. THE SIXTEENTH CENTURY 81
IV. FROM COWLEY TO POPE 135
INDEX 181
I. THE MEDIEVAL PERIOD
EARLY THEORIES OF TRANSLATION
I
THE MEDIEVAL PERIOD
From the comment of Anglo-Saxon writers one may derive a not inadequate idea of the attitude generally prevailing in the medieval period with regard to the treatment of material from foreign sources. Suggestive statements appear in the prefaces to the works associated with the name of Alfred. One method of translation is employed in producing an English version of Pope Gregory's Pastoral Care. "I began," runs the preface, "among other various and manifold troubles of this kingdom, to translate into English the book which is called in Latin Pastoralis, and in English Shepherd's Book, sometimes word by word, and sometimes according to the sense."[1] A similar practice is described in the Proem to The Consolation of Philosophy of Boethius. "King Alfred was the interpreter of this book, and turned it from book Latin into English, as it is now done. Now he set forth word by word, now sense from sense, as clearly and intelligently as he was able."[2] The preface to St. Augustine's Soliloquies, the beginning of which, unfortunately, seems to be lacking, suggests another possible treatment of borrowed material. "I gathered for myself," writes the author, "cudgels, and stud-shafts, and horizontal shafts, and helves for each of the tools that I could work with, and bow-timbers and bolt-timbers for every work that I could perform, the comeliest trees, as many as I could carry. Neither came I with a burden home, for it did not please me to bring all the wood back, even if I could bear it. In each tree I saw something that I needed at home; therefore I advise each one who can, and has many wains, that he direct his steps to the same wood where I cut the stud-shafts. Let him fetch more for himself, and load his wains with fair beams, that he may wind many a neat wall, and erect many a rare house, and build a fair town, and therein may dwell merrily and softly both winter and summer, as I have not yet done."[3]
Aelfric, writing a century later, develops his theories in greater detail. Except in the Preface to Genesis, they are expressed in Latin, the language of the lettered, a fact which suggests that, unlike the translations themselves, the prefaces were addressed to readers who were, for the most part, opposed to translation into the vernacular and who, in addition to this, were in all probability especially suspicious of the methods employed by Aelfric. These methods were strongly in the direction of popularization. Aelfric's general practice is like that of Alfred. He declares repeatedly[4] that he translates sense for sense, not always word
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