upright, like some huge steeple. This dreadful structure had become a great funeral pile, the altar of a black pagan idol whose fiery tongues were greedily thrusting upward to devour their prey.
Then, as the smoke became blacker and blacker, a heart-rending, almost maddening sound of shrieking and crying rang out from that devilish wreck, so loud and piercing that it drowned the clatter of stones, the crackling of the fast-kindling coals, and the crushing noise of the metals. At the cry for aid of the doomed victims, all who had escaped and hidden behind the bulwark came forth, creeping or running, shrieking and gesticulating, forgetful of their own danger and pitiful condition, thinking only of those dear lost ones there in that abode of hell, and maddened at the impossibility of rescuing them. It was a wild hurly-burly of voices and of tongues, of despairing yells, hysterical sobs, heart-rending prayers; and as I stumbled over the twisted and broken rails, that stood upright like bent wires, and stooped over the bulwark, I beheld a spectacle so terrible that every nerve of my body, every heart-string, revolted at it. Even now they quiver at the ghastly recollection.
As the fire lighted up the horrible pile I could see that the first carriage atop of the coals was a shattered mass, the second crushed flat, while the third stood with wheels uppermost, and so forth to the top, and out of all of them human heads, limbs, faces, bodies, were thrust forward. Two small gloved female hands, locked as in prayer, were stretched out of a window, and above them two strong, muscular, masculine arms tried with superhuman force to lift the iron weight above, to break a way at the top, until the blood flowed from the nails, and even these strong arms dropped down exhausted. Half-seen forms, mutilated, bleeding, were tearing with teeth and nails at their dreadful prison. Then for a while the smoky cloud involved everything in darkness. A moment after, the red fiery tongues came lapping upward, and a red, glowing halo encircles the fatal wreck. The first and second carriages were already burned. How long would it take the flames to reach the top? How many of the sufferers were yet alive? What power in heaven or earth could save them, and how?
The hollow into which the train had fallen was so deep that, in spite of the erect position of the ill-fated pile, the topmost car--that containing the poor foolish American governess, who had lost her life in running back for her bonnet--was ten m��tres below us, and we had not even a single rope or cord with which to hazard the experiment of descending. A young man, one of those few who had come forth unharmed, ran up and down the embankment, shouting madly for a rope, offering a fortune for belts, shawls, and cords. His newly-married bride was in one of those carriages, and hers were the tiny gloved hands that were stretched out of the window. "A rope!" cried he; "give me anything to make a rope!" But who heeded him?
A young mother sat on the tracks, fondly hugging a plaid shawl in her arms. Her babe was there in that burning pyre, but horror had overpowered her reason. There she sat, caressing the woollen bundle, and in a low voice singing her "Eia Popeia" to the child of her fantasy.
An aged Polish Jew lay across the barricade wall. His two hands were stretched downward, and there he muttered the prayers and invocations of his ancient liturgy, which no one there understood but himself and his God. The ritual prayer-bands were upon his thumbs and wrists, and encircling his forehead. His forked beard and greasy side-locks dangled as he chanted his hymns, while his eyes, starting almost out of their sockets, were fixed upon one of the carriages. What did that car contain? His wife? His children? Or his worldly goods, the fortune hoarded up through a life-time of cunning and privation? Who knows? Forth he chants his prayers, loudly yelling, or muttering low, as the ghastly scene before him vanishes in smoke and darkness, or glows out again in fearful distinctness.
Every one shrieks, cries, prays, swears, raves.
No; not every one! There, on the barricade, his logs doubled up Turk-fashion, sits a young painter with Mephisto beard and grey eyes. His sketch-book is open, and he is making a vivid sketch of the sensational scene. The illustrated papers are grateful customers, and will rejoice at receiving the sketch.
But this young draughtsman is not the only sensible person in the place. There is another, a long-legged Englishman, standing with watch in hand, reckoning up the time lost by the accident, and eyeing the scene complacently.
Some noisy dispute attracts my attention, and, turning, I behold
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