David Copeland - Seduction | Page 9

a
woman you’ve known for months). Here is an overview of the three situations:
SITUATION ONE: YOU HAVE DAYS OR WEEKS TO SEDUCE THE WOMAN:
In this situation you have time to seduce the woman. A few examples include a waitress, gro-
cery store check-out girl, cashier, or a woman who works out at your gym. In this situation you
know where they work or you have some “excuse” to run into her again. You can then strategize
to “bump into her” again, and keep building the seduction over time.
SITUATION TWO: YOU ONLY HAVE A FEW HOURS TO SEDUCE THE WOMAN:
A few examples include meeting a woman at a party, meeting a woman at a bar, talking to a
woman on a train ride, or any other situation where time is not on your side. These situations
require you to work quickly to win her over. The master seducer will use the lack of time to
move through the stages of seduction rapidly.
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SITUATION THREE: YOU ONLY HAVE A FEW MINUTES TO SEDUCE THE WOMAN:
In these situations the woman will be gone unless you say something and make your move. You
need to move quickly. A few examples are meeting a woman in a line, talking to a woman at a
nearby table at a coffee shop, or talking to a woman in a store. These situations require you to
quickly develop rapport and trust. In situations where there is very little time you need to take a
larger risk and have the guts to ask for her phone number, her email address, or set up a date
right then and there.
You must also understand the various stages of creating rapport—that is, a good-feeling
connection—with a woman. Here is a brief outline of the stages you will likely go through on
the way to having sex. At each stage it is important to keep focused on the outcome so that you
can keep moving to the next stage.
Here is an overview of the stages of rapport. Study these and apply them in any dating situa-
tion with a woman. By having a clear understanding of these stages you can easily determine
which stage you are at and how to move to the next stage.
STAGE ONE:
Breaking the ice, small talk and getting to know each other.
STA G E T WO:
Establishing trust and experiencing some good feelings together.
STAGE THREE:
Develop romantic/sensual feelings. Having her consider you a potential lover.
STAGE FOUR:
Some form of physical touch, kissing, or handholding.
STAGE FIVE:
Either setting up the next date or intense sexual connection.
With the information on the different stages of dating, as well an understanding of the three dif-
ferent situations, you can now start to construct a more thorough approach. But to really suc-
ceed you must also remember that dating is a numbers game. Being persistent is the most
important thing you can do. Date and approach as many women as possible. It is your job to
break down your own shyness and your resistance to being successful with women. The master
seducer is persistent and stays on course to his goal. If you take on this attitude and act accord-
ingly, you will be successful.
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FLIRTING WITH HUMOR
From Louis and Copeland’s book, “How to Succeed with Women.”
R
emember this: you want to make women laugh. If you can make a woman laugh (so long
as she isn’t laughing at your expense) then you are delighting her, and she’ll want to see
you again. However, as most men know, women often f ind different things funny than men do.
It’s easy to misuse humor with women, and to frighten and offend them instead. With that in
mind, here’s a list of do’s for flirting with humor.
1. DO MAKE“CREATIVE MISINTERPRETATIONS”
When you approach a woman, you’ve got to be alert and have your eyes open. Look for the
details in her appearance or in what she is doing that you can safely make jokes about. You do
this by putting a new spin on something normal. When Bruce asks the bank teller “Do you get
to keep a percentage of all the money you take in each day?” he’s creatively misinterpreting
something in her environment and using it to flirt. When he asks if she gets to keep a percent-
age, he’s being silly in a way she can relate to. It gives them a joke to talk about that and creates
a little separate little world for them together.
Similarly, when Frank jokes to the girl at the heath-food store who always wears army
fatigues about being a Major in the army, he’s taking something at hand and creatively misinter-
preting it, recasting it as something they can joke and flirt about. Every time he sees her they
return to this joke, and she feels more comfortable with him each time.
You should try to make your misinterpretations complementary to her. For example, misin-
terpreting the woman collecting the money as