or addition to the etext, or [3] any Defect.
DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
You may distribute copies of this etext electronically, or by disk, book
or any other medium if you either delete this "Small Print!" and all
other references to Project Gutenberg, or:
[1] Only give exact copies of it. Among other things, this requires that
you do not remove, alter or modify the etext or this "small print!"
statement. You may however, if you wish, distribute this etext in
machine readable binary, compressed, mark-up, or proprietary form,
including any form resulting from conversion by word pro- cessing or
hypertext software, but only so long as *EITHER*:
[*] The etext, when displayed, is clearly readable, and does *not*
contain characters other than those intended by the author of the work,
although tilde (~), asterisk (*) and underline (_) characters may be used
to convey punctuation intended by the author, and additional characters
may be used to indicate hypertext links; OR
[*] The etext may be readily converted by the reader at no expense into
plain ASCII, EBCDIC or equivalent form by the program that displays
the etext (as is the case, for instance, with most word processors); OR
[*] You provide, or agree to also provide on request at no additional
cost, fee or expense, a copy of the etext in its original plain ASCII form
(or in EBCDIC or other equivalent proprietary form).
[2] Honor the etext refund and replacement provisions of this "Small
Print!" statement.
[3] Pay a trademark license fee to the Project of 20% of the net profits
you derive calculated using the method you already use to calculate
your applicable taxes. If you don't derive profits, no royalty is due.
Royalties are payable to "Project Gutenberg
Association/Carnegie-Mellon University" within the 60 days following
each date you prepare (or were legally required to prepare) your annual
(or equivalent periodic) tax return.
WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU
DON'T HAVE TO?
The Project gratefully accepts contributions in money, time, scanning
machines, OCR software, public domain etexts, royalty free copyright
licenses, and every other sort of contribution you can think of. Money
should be paid to "Project Gutenberg Association / Carnegie-Mellon
University".
*END*THE SMALL PRINT! FOR PUBLIC DOMAIN
ETEXTS*Ver.04.29.93*END*
This etext was scanned by David Price, email
[email protected]
from the 1903 Chapman and Hall edition. Proofing was by David,
Edgar Howard, Dawn Smith, Terry Jeffress and Jane Foster.
"House to Let". All, however, is not as it seems and she is drawn into
the mystery which surrounds the house. Originally published in 1858 in
the Christmas edition of "House Worlds Magazine", Dickens and his
fellow contributors wrote a chapter each and Dickens edited the whole.
We have already released Dicken's chapter which was "Going into
Society". However, its good to have the whole book too so that people
know how the story starts and ends.
A HOUSE TO LET
Contents:
Over the Way The Manchester Marriage Going into Society Three
Evenings in the House Trottle's Report Let at Last
OVER THE WAY
I had been living at Tunbridge Wells and nowhere else, going on for
ten years, when my medical man--very clever in his profession, and the
prettiest player I ever saw in my life of a hand at Long Whist, which
was a noble and a princely game before Short was heard of-- said to me,
one day, as he sat feeling my pulse on the actual sofa which my poor
dear sister Jane worked before her spine came on, and laid her on a
board for fifteen months at a stretch--the most upright woman that ever
lived--said to me, "What we want, ma'am, is a fillip."
"Good gracious, goodness gracious, Doctor Towers!" says I, quite
startled at the man, for he was so christened himself: "don't talk as if
you were alluding to people's names; but say what you mean."
"I mean, my dear ma'am, that we want a little change of air and scene."
"Bless the man!" said I; "does he mean we or me!"
"I mean you, ma'am."
"Then Lard forgive you, Doctor Towers," I said; "why don't you get
into a habit of expressing yourself in a straightforward manner, like a
loyal subject of our gracious Queen Victoria, and a member of the
Church of England?"
Towers laughed, as he generally does when he has fidgetted me into
any of my impatient ways--one of my states, as I call them--and then he
began, -
"Tone, ma'am, Tone, is all you require!" He appealed to Trottle, who
just then came in with the coal-scuttle, looking, in his nice black suit,
like an amiable man putting on coals from motives of benevolence.
Trottle (whom I always call my right hand) has been in my service
two-and-thirty years.