Most interesting of all is the grim, rusted, and gaunt watch-tower, before alluded to, which rises out of a block of modern houses in the place itself. It can be seen afar off from the approaching vessel, and until comparatively late times this venerable servant had done the charity of lighthouse work for a couple of centuries at least.
But one of the pleasantest associations connected with the town was the old Dessein's Hotel, which had somehow an inexpressibly old-fashioned charm, for it had a grace like some disused chateau. Some of the prettiest passages in Sterne's writings are associated with this place. We see the figures of the monk, the well-known host, the lady and the _petit-ma?tre_: to say nothing of the old _d��sobligeante_. Even of late years it was impossible to look at the old building, which remained unchanged, without calling up the image of Mr. Sterne, and the curious airy conversation--sprinkled with what execrable French both in grammar and spelling!--that took place at the gate. An air of the old times pervaded it strongly: it was like opening an old garde de vin. You passed out of the place and found yourself in the Rue Royale--newly named Rue Leveux--and there, Dessein's stood before you, with its long yellow wall, archway and spacious courts, on each side a number of quaint gables or mansardes, sharp-roofed. Over the wall was seen the foliage of tall and handsome trees. There is a coloured print representing this entrance, with the meeting of the 'little master' and the lady--painted by Leslie--and which gives a good idea of the place. In the last century the courtyard used to be filled with posting-carriages, and the well-known remise lay here in a corner. Behind the house stretched large, well-stocked gardens, with which the guests at the hotel used to be recreated; while at the bottom of the garden, but opening into another street, was the theatre, built by the original Dessein, belonging to the hotel, and still used. This garden was wild and luxuriant, the birds singing, while the courtyard was dusty and weed-grown.
This charming picture has ever been a captivating one for the traveller. It seemed like an old country-house transferred to town. There was something indescribable in the tranquil flavour of the place, its yellow gamboge tint alternated with green vineries, its spacious courtyard and handsome chambers. It was bound up with innumerable old associations. Thackeray describes, with an almost poetical affection and sympathy, the night he spent there. He called up the image of Sterne in his 'black satin smalls,' and talked with him. They used to show his room, regularly marked, as I have seen it, 'STERNES'S ROOM, NO. 31,' with its mezzotint, after Sir Joshua, hung over the chimney-piece. But this tradition received a shock some sixty years since. An inquisitive and sceptical traveller fancied he saw an inscription or date lurking behind the vine-leaves that so luxuriantly covered the old house, and sent up a man on a ladder to clear away the foliage. This operation led to the discovery of a tablet, dated two years too late for the authenticity of the building in which 'Sterne's room' was. The waiter, however, in nowise disconcerted, said the matter could be easily 'arranged' by selecting another room in an unquestioned portion of the building! To make up, however, there was a room labelled 'SIR WALTER SCOTT'S ROOM,' with his portrait; and of this there could be no reasonable question.
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In later years it did not flourish much, but gently decayed. Everything seemed in a state of mild sleepy abandonment and decay till about the year 1861, when the Desseins gave over business. The town, much straitened for room, and cramped within its fortifications, had long been casting hungry eyes on this spacious area. Strange to say, even in the prosaic pages of our own 'Bradshaw,' the epitaph of 'old Dessein's' is to be read among its advertisements:
'CALAIS.
'H?TEL DESSEIN.--L. Dessein, the proprietor, has the honour to inform his numerous patrons, and travellers in general, that after the 1st of January his establishment will be transferred to the H?tel Quillacq, which has been entirely done up, and will take the name of H?TEL DESSEIN. The premises of the old H?tel Dessein having been purchased by the town of Calais, it ceases to be an H?tel for Travellers.'
Still, in this new function it was 'old Dessein's,' and you were shown 'Sterne's room,' etc. I recall wandering through it of a holiday, surveying the usual museum specimens--the old stones, invariable spear-heads, stuffed animals; in short, the usual rather heterogeneous collection, made up of 'voluntary contributions,' prompted half by the vanity of the donor and half by his indifference to the objects presented. We had not, indeed, the 'old pump'
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