night they marched up to the Barclay home, and Ward with a crutch under his arm, and with Mrs. Barclay and Miss Lucy beside him, stood in the door and made a speech to the men. And then there were songs. Watts McHurdie threw back his head and sang "Scots wha ha' wi' Wallace bled," following it with some words of his own denouncing slavery and calling down curses upon the slaveholders; so withal it was a martial occasion, and the boy's heart swelled with patriotic pride. But for a vague feeling that Miss Lucy was neglecting him for her patient, John would have begun making a hero of Philemon R. Ward. As it was, the boy merely tolerated the man and silently suspected him of intentions and designs.
But when school opened, Philemon Ward left Sycamore Ridge and John Barclay made an important discovery. It was that Ellen Culpepper had eyes. In Sycamore Ridge with its three hundred souls, only fifteen of them were children, and five of them were ten years old, and John had played with those five nearly all his life. But at ten sometimes the scales drop from one's eyes, and a ribbon or a bead or a pair of new red striped yarn stockings or any other of the embellishments which nature teaches little girls to wear casts a sheen over all the world for a boy. The magic bundle that charmed John Barclay was a scarlet dress, "made over," that came in an "aid box" from the Culpeppers in Virginia. And when the other children in Miss Lucy's school made fun of John and his amour, the boy fought his way through it all--where fighting was the better part of valour--and made horsehair chains for Ellen and cut lockets for her out of coffee beans, and with a red-hot poker made a ring for her from a rubber button as a return for the smile he got at the sly twist he gave her hair as he passed her desk on his way to the spelling class. As for Miss Lucy, who saw herself displaced, she wrote to Philemon Ward, and told him of her jilting, and railed at the fickleness and frailty of the sex.
And by that token an envelope in Ward's handwriting came to Miss Lucy every week, and Postmaster Martin Culpepper and Mrs. Martin Culpepper and all Sycamore Ridge knew it. And loyal Southerner though he was, Martin Culpepper's interest in the affair between Ward and Miss Lucy was greater than his indignation over the fact that Ward had carried his campaign even into Virginia; nothing would have tempted him to disclose to his political friends at home the postmarks of Ward's letters. That was the year of the great drouth of '60, remembered all over the plains. And as the winter deepened and the people of Sycamore Ridge were without crops, and without money to buy food, they bundled up Martin Culpepper and sent him back to Ohio seeking aid. He was a handsome figure the day he took the stage in his high hat and his ruffled shirt and broad coat tails, a straight lean figure of a man in his early thirties, with fine black eyes and a shocky head of hair, and when he pictured the sufferings of the Kansas pioneers to the people of the East, the state was flooded with beans and flour, and sheeted in white muslin. For Martin Culpepper was an orator, and though he is in his grave now, the picture he painted of bleeding Kansas nearly fifty years ago still hangs in many an old man's memory. And after all, it was only a picture. For they were all young out here then, and through all the drouth and the hardship that followed--and the hardship was real--there was always the gayety of youth. The dances on Deer Creek and at Minneola did not stop for the drouth, and many's the night that Mrs. Mason, the tall raw-boned wife of Lycurgus, wrapped little Jane in a quilt and came over to the Ridge from Minneola to take part in some social affair. And while Martin Culpepper was telling of the anguish of the famine, Watts McHurdie and his accordion and Ezra Lane's fiddle were agitating the heels of the populace. And even those pioneers who were moved to come into the wilderness by a great purpose--and they were moved so--to come into the new territory and make it free, nevertheless capered and romped through the drouth of '60 in the cast-off garments of their kinsmen and were happy; for there were buffalo meat and beans for the needy, the aid room had flour, and God gave them youth.
Not drouth, nor famine, nor suffering, nor zeal of a great purpose can burn out
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