Zoonomia, Vol. I | Page 9

appear more luminous than the other part of the white paper; which can only be explained by supposing that a part of the retina, on which the tadpole was delineated, to have become more sensible to light than the other parts of it, which were exposed to the white paper; and not from any idea of mechanical impression or chemical combination of light with the retina.
4. When any one turns round rapidly, till he becomes dizzy, and falls upon the ground, the spectra of the ambient objects continue to present themselves in rotation, and he seems to behold the objects still in motion. Now if these spectra were impressions on a passive organ, they either must continue as they were received last, or not continue at all.
5. Place a piece of red silk about an inch in diameter on a sheet of white paper in a strong light, as in Plate I; look steadily upon it from the distance of about half a yard for a minute; then closing your eye-lids, cover them with your hands and handkerchief, and a green spectrum will be seen in your eyes resembling in form the piece of red silk. After some seconds of time the spectrum will disappear, and in a few more seconds will reappear; and thus alternately three or four times, if the experiment be well made, till at length it vanishes entirely.
[Illustration: Plate III.]
6. Place a circular piece of white paper, about four inches in diameter, in the sunshine, cover the center of this with a circular piece of black silk, about three inches in diameter; and the center of the black silk with a circle of pink silk, about two inches in diameter; and the center of the pink silk with a circle of yellow silk, about one inch in diameter; and the center of this with a circle of blue silk, about half an inch in diameter; make a small spot with ink in the center of the blue silk, as in Plate III.; look steadily for a minute on this central spot, and then closing your eyes, and applying your hand at about an inch distance before them, so as to prevent too much or too little light from passing through the eye-lids, and you will see the most beautiful circles of colours that imagination can conceive; which are most resembled by the colours occasioned by pouring a drop or two of oil on a still lake in a bright day. But these circular irises of colours are not only different from the colours of the silks above mentioned, but are at the same time perpetually changing as long as they exist.
From all these experiments it appears, that these spectra in the eye are not owing to the mechanical impulse of light impressed on the retina; nor to its chemical combination with that organ; nor to the absorption and emission of light, as is supposed, perhaps erroneously, to take place in calcined shells and other phosphorescent bodies, after having been exposed to the light: for in all these cases the spectra in the eye should either remain of the same colour, or gradually decay, when the object is withdrawn; and neither their evanescence during the presence of their object, as in the second experiment, nor their change from dark to luminous, as in the third experiment, nor their rotation, as in the fourth experiment, nor the alternate presence and evanescence of them, as in the fifth experiment, nor the perpetual change of colours of them, as in the last experiment, could exist.
IV. The subsequent articles shew, that these animal motions or configurations of our organs of sense constitute our ideas.
1. If any one in the dark presses the ball of his eye, by applying his finger to the external corner of it, a luminous appearance is observed; and by a smart stroke on the eye great slashes of fire are perceived. (Newton's Optics.) So that when the arteries, that are near the auditory nerve, make stronger pulsations than usual, as in some fevers, an undulating sound is excited in the ears. Hence it is not the presence of the light and sound, but the motions of the organ, that are immediately necessary to constitute the perception or idea of light and sound.
2. During the time of sleep, or in delirium, the ideas of imagination are mistaken for the perceptions of external objects; whence it appears, that these ideas of imagination, are no other than a reiteration of those motions of the organs of sense, which were originally excited by the stimulus of external objects: and in our waking hours the simple ideas, that we call up by recollection or by imagination, as the colour of red, or the smell of a rose, are exact resemblances of the