Zibelline | Page 2

comedy I will say of your romance. It is a pretty fairy-story-all about Parisian fairies, for a great many fairies live in Paris! In fact, more are to be found there than anywhere else! There are good fairies and bad fairies among them. Your own particular fairy is good and she is charming. I am tempted to ask whether you have drawn your characters from life. That is a question which was frequently put to me recently, after I had published 'L'Americaine.' The public longs to possess keys to our books. It is not sufficient for them that a romance is interesting; it must possess also a spice of scandal.
Portraits? You have not drawn any--neither in the drawing-rooms where Zibeline scintillates, nor in the foyer of the Comedie Francaise, where for so long a time you have felt yourself at home. Your women are visions and not studies from life--and I do not believe that you will object to my saying this.
You should not dislike the "romantic romance," which every one in these days advises us to write--as if that style did not begin as far back as the birth of romance itself: as if the Princess of Cleves had not written, and as if Balzac himself, the great realist, had not invented, the finest "romantic romances" that can be found--for example, the amorous adventure of General de Montriveau and the Duchesse de Langlais!
Apropos, in your charming story there is a General who pleases me very much. How was it that you did not take, after the fashion of Paul de Molenes, a dashing cavalry officer for your hero?--you, for whom the literary cavalier has all the attractions of a gentleman and a soldier?
Nothing could be more piquant, alert, chivalrous--in short, worthy of a Frenchman--than the departure of your hero for the war after that dramatic card-party, which was also a battle--and what a battle!--where, at the end of the conflict, he left his all upon the green cloth. That is an attractive sketch of the amiable comedienne, who wishes for fair weather and a smooth sea for the soldier lover who is going so far away. It seems to me that I have actually known that pretty girl at some time or another! That chapter is full of the perfume of pearl powder and iris! It is only a story, of course, but it is a magnificent story, which will please many readers.
The public will ask you to write others, be sure of that; and you will do well, my dear friend, for your own sake and for ours, to follow the precept of Denis Diderot: "My friends, write stories; while one writes them he amuses himself, and the story of life goes on, and that is less gay than the stories we can tell."
I do not know precisely whether these last words, which are slightly pessimistic, are those of the good Diderot himself. But they are those of a Parisian of 1892, who has been able to forget his cares and annoyances in reading the story that you have told so charmingly.
With much affection to you, and wishing good luck to Zibeline, I am
Your friend, JULES CLARETIE de l'Academie Francaise. APRIL 26, 1892.

ZIBELINE

BOOK 1
CHAPTER I
LES FRERES-PROVENCAUX
In the days of the Second Empire, the Restaurant des Freres-Provencaux still enjoyed a wide renown to which its fifty years of existence had contributed more than a little to heighten its fame.
This celebrated establishment was situated near the Beaujolais Gallery of the Palais-Royal, close to the narrow street leading to the Rue Vivienne, and it had been the rendezvous of epicures, either residents of Paris or birds of passage, since the day it was opened.
On the ground floor was the general dining-room, the gathering-place for honest folk from the provinces or from other lands; the next floor had been divided into a succession of private rooms, comfortably furnished, where, screened behind thick curtains, dined somewhat "irregular" patrons: lovers who were in either the dawn, the zenith, or the decline of their often ephemeral fancies. On the top floor, spacious salons, richly decorated, were used for large and elaborate receptions of various kinds.
At times the members of certain social clubs gave in these rooms subscription balls of anacreontic tendencies, the feminine element of which was recruited among the popular gay favorites of the period. Occasionally, also, young fellows about town, of different social rank, but brought together by a pursuit of amusement in common, met here on neutral ground, where, after a certain hour, the supper-table was turned into a gaming-table, enlivened by the clinking of glasses and the rattle of the croupier's rake, and where to the excitement of good cheer was added that of high play, with its alternations of unexpected gains and disastrous losses.
It was at a reunion of this