as ever I can, and to do gymnastics every day, so that, when I have turned twenty-five, I shall be stronger even than Rappo. On my first day's training I mean to hold out half a pood [The Pood = 40 Russian pounds.] at arm's length for five minutes, and the next day twenty-one pounds, and the third day twenty-two pounds, and so on, until at last I can hold out four poods in each hand, and be stronger even than a porter. Then, if ever any one should try to insult me or should begin to speak disrespectfully of HER, I shall take him so, by the front of his coat, and lift him up an arshin [The arshin = 2 feet 3 inches.] or two with one hand, and just hold him there, so that he may feel my strength and cease from his conduct. Yet that too would not be right. No, no, it would not matter; I should not hurt him, merely show him that I--"
Let no one blame me because the dreams of my youth were as foolish as those of my childhood and boyhood. I am sure that, even if it be my fate to live to extreme old age and to continue my story with the years, I, an old man of seventy, shall be found dreaming dreams just as impossible and childish as those I am dreaming now. I shall be dreaming of some lovely Maria who loves me, the toothless old man, as she might love a Mazeppa; of some imbecile son who, through some extraordinary chance, has suddenly become a minister of state; of my suddenly receiving a windfall of a million of roubles. I am sure that there exists no human being, no human age, to whom or to which that gracious, consolatory power of dreaming is totally a stranger. Yet, save for the one general feature of magic and impossibility, the dreams of each human being, of each age of man, have their own distinguishing characteristics. At the period upon which I look as having marked the close of my boyhood and the beginning of my youth, four leading sentiments formed the basis of my dreams. The first of those sentiments was love for HER--for an imaginary woman whom I always pictured the same in my dreams, and whom I somehow expected to meet some day and somewhere. This she of mine had a little of Sonetchka in her, a little of Masha as Masha could look when she stood washing linen over the clothes-tub, and a little of a certain woman with pearls round her fair white neck whom I had once seen long, long ago at a theatre, in a box below our own. My second sentiment was a craving for love. I wanted every one to know me and to love me. I wanted to be able to utter my name--Nicola Irtenieff--and at once to see every one thunderstruck at it, and come crowding round me and thanking me for something or another, I hardly knew what. My third sentiment was the expectation of some extraordinary, glorious happiness that was impending--some happiness so strong and assured as to verge upon ecstasy. Indeed, so firmly persuaded was I that very, very soon some unexpected chance would suddenly make me the richest and most famous man in the world that I lived in constant, tremulous expectation of this magic good fortune befalling me. I was always thinking to myself that "IT is beginning," and that I should go on thereafter to attain everything that a man could wish for. Consequently, I was for ever hurrying from place to place, in the belief that "IT" must be "beginning" just where I happened not to be. Lastly, my fourth and principal sentiment of all was abhorrence of myself, mingled with regret--yet a regret so blended with the certain expectation of happiness to which I have referred that it had in it nothing of sorrow. It seemed to me that it would be so easy and natural for me to tear myself away from my past and to remake it--to forget all that had been, and to begin my life, with all its relations, anew--that the past never troubled me, never clung to me at all. I even found a certain pleasure in detesting the past, and in seeing it in a darker light than the true one. This note of regret and of a curious longing for perfection were the chief mental impressions which I gathered from that new stage of my growth--impressions which imparted new principles to my view of myself, of men, and of God's world. O good and consoling voice, which in later days, in sorrowful days when my soul yielded silently to the sway of
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