Women of Modern France | Page 8

and affability, modest air, and, above all, by her extreme gentleness," she could not have changed, say her defenders, into the perfidious, wicked, and cruel creature she is said to have become as soon as she stepped into power. "During the reign of Henry II., she wisely avoided all danger; faithful to her wifely duties, she gave no cause for scandal, and, realizing that she was not strong enough to overcome her all-powerful rival, she bided her time. She was loved and respected by everyone for her personal qualities and her benevolence." But why may it not be true that all this was but part of her politics, the politics in which she had been educated? Wise from experience, she foresaw the future and what was in store for her if she remained prudent and made the best of the surroundings until the time should come when she could strike suddenly and boldly.
Brought up from infancy amidst snares, intrigues, the clash of arms, the furious shouts of popular insurrections, tempests, and storms, she could not escape the influence of her early environment. Her talent for studying and penetrating the designs of her enemies, for facing or avoiding dangers with such sublime calmness and prudence, was partly inherited, partly acquired. That spirit she took with her to France, where her experience was widened and her opportunities for the study of human nature were increased.
It is not generally known that her mother was a French woman--a Madeleine de La Tour d'Auvergne, daughter of Jean, Count of Boulogne, and Catherine of Bourbon, daughter of the Count of Vend?me; thus, her gentler nature was a French product. Her mother and father both died when she was but twenty-two days old, and from that time until her marriage she was cast about from place to place. But from the very first she showed that talent of adapting herself to her surroundings, living amidst intrigues and discords and yet making friends. She has been called "the precocious heiress of the craftiness of her progenitors."
In her thirteenth year, after being sought by many powerful princes, Clement VII. (her greatuncle), in order to secure himself against the powerful Charles V., married her to Henry, Duke of Orleans, the second son of Francis I. Even at that early age she was fully aware of all the dreariness and danger attached to positions of power, and knew that the art of governing was not an easy one. She had studied Machiavelli's famous work, The Prince, which had been dedicated to her father, and it was from it, as well as from her ancestors, that she derived her wisdom and astuteness. Her childhood had prepared her for the work of the future, and she went at it with caution and reserve until she was sure of her ground.
She first proceeded to study the king, Francis I., watching his actions, extracting his secrets; a fine huntress and at his side constantly, she pleased him and gained his favor. Brant?me says she was subtle and diplomatic, quickly learning the craft of her profession; she sought friends among all classes and ranks, directing her overtures specially toward the ladies of the court, whom she soon won and gathered about her.
In 1536 the dauphin died, and Catherine's husband became heir to the throne of France. Though they had been married three years, no offspring had resulted, which unfortunate circumstance made her position a most uncertain one, especially as Diana of Poitiers was then at the height of her power, controlling Henry absolutely. A furious rivalry sprang up between the Duchesse d'Etampes, mistress of Francis I., and Diana and Catherine; the two mistresses formed two parties, and a war of slanders, calumnies, and unpleasant epigrams ensued. Queen Eleanor, the second wife of Francis I., took no active part, thus leaving all power in the hands of the mistress of her husband. (It was at this time that the Emperor Charles V. gained the Duchesse d'Etampes over to his cause.) Poets and artists, politicians and men of genius took sides, extolling the beauty of the one they championed. Catherine, although befriended and treated with apparent respect by Diana, remained a good friend to both women, thus evincing her tact. By keeping her own personality in the background, she won the esteem of both her husband and the king.
Brant?me leaves a picture of Catherine at this time: "She was a fine and ample figure; very majestic, yet agreeable and very gentle when necessary; beautiful and gracious in appearance, her face fair and her throat white and full, very white in body likewise.... Moreover, she dressed superbly, always having some pretty innovation. In brief, she had beauties fitted to inspire love. She laughed readily, her disposition was jovial, and she liked to jest." M. Saint-Amand continues: "The artistic elegance