in a landscape, without feeling bound to 
scrutinise their depths simply because their depths are obscure. 
Unexplored they may have a sort of lustre, explored they might merely 
make him blind, and it may be a sufficient understanding of them to 
know that they are not worth investigating. In this way the most chaotic 
age and the most motley horrors might be mirrored limpidly in a great 
mind, as the Renaissance was mirrored in the works of Raphael and 
Shakespeare; but the master's eye itself must be single, his style 
unmistakable, his visionary interest in what he depicts frank and 
supreme. Hence this comprehensive sort of greatness too is impossible 
in an age when moral confusion is pervasive, when characters are 
complex, undecided, troubled by the mere existence of what is not 
congenial to them, eager to be not themselves; when, in a word, 
thought is weak and the flux of things overwhelms it. 
Without great men and without clear convictions this age is 
nevertheless very active intellectually; it is studious, empirical, 
inventive, sympathetic. Its wisdom consists in a certain contrite 
openness of mind; it flounders, but at least in floundering it has gained 
a sense of possible depths in all directions. Under these circumstances, 
some triviality and great confusion in its positive achievements are not 
unpromising things, nor even unamiable. These are the Wanderjahre of 
faith; it looks smilingly at every new face, which might perhaps be that 
of a predestined friend; it chases after any engaging stranger; it even 
turns up again from time to time at home, full of a new tenderness for 
all it had abandoned there. But to settle down would be impossible now. 
The intellect, the judgment are in abeyance. Life is running turbid and 
full; and it is no marvel that reason, after vainly supposing that it ruled 
the world, should abdicate as gracefully as possible, when the world is 
so obviously the sport of cruder powers--vested interests, tribal
passions, stock sentiments, and chance majorities. Having no 
responsibility laid upon it, reason has become irresponsible. Many 
critics and philosophers seem to conceive that thinking aloud is itself 
literature. Sometimes reason tries to lend some moral authority to its 
present masters, by proving how superior they are to itself; it worships 
evolution, instinct, novelty, action, as it does in modernism, 
pragmatism, and the philosophy of M. Bergson. At other times it retires 
into the freehold of those temperaments whom this world has ostracised, 
the region of the non-existent, and comforts itself with its indubitable 
conquests there. This happened earlier to the romanticists (in a way 
which I have tried to describe in the subjoined paper on Shelley) 
although their poetic and political illusions did not suffer them to 
perceive it. It is happening now, after disillusion, to some radicals and 
mathematicians like Mr. Bertrand Russell, and to others of us who, 
perhaps without being mathematicians or even radicals, feel that the 
sphere of what happens to exist is too alien and accidental to absorb all 
the play of a free mind, whose function, after it has come to clearness 
and made its peace with things, is to touch them with its own moral and 
intellectual light, and to exist for its own sake. 
These are but gusts of doctrine; yet they prove that the spirit is not dead 
in the lull between its seasons of steady blowing. Who knows which of 
them may not gather force presently and carry the mind of the coming 
age steadily before it? 
 
II 
MODERNISM AND CHRISTIANITY 
Prevalent winds of doctrine must needs penetrate at last into the cloister. 
Social instability and moral confusion, reconstructions of history and 
efforts after reform, are things characteristic of the present age; and 
under the name of modernism they have made their appearance even in 
that institution which is constitutionally the most stable, of most 
explicit mind, least inclined to revise its collective memory or 
established usages--I mean the Catholic church. Even after this church
was constituted by the fusion of many influences and by the gradual 
exclusion of those heresies--some of them older than explicit 
orthodoxy--which seemed to misrepresent its implications or spirit, 
there still remained an inevitable propensity among Catholics to share 
the moods of their respective ages and countries, and to reconcile them 
if possible with their professed faith. Often these cross influences were 
so strong that the profession of faith was changed frankly to suit them, 
and Catholicism was openly abandoned; but even where this did not 
occur we may detect in the Catholic minds of each age some strange 
conjunctions and compromises with the Zeitgeist. Thus the morality of 
chivalry and war, the ideals of foppishness and honour, have been long 
maintained side by side with the maxims of the gospel, which they 
entirely contradict. Later the system of    
    
		
	
	
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