Why the Chimes Rang

Why the Chimes Rang

The Project Gutenberg EBook of Why the Chimes Rang: A Play in One
Act
by Elizabeth Apthorp McFadden This eBook is for the use of anyone
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Title: Why the Chimes Rang: A Play in One Act
Author: Elizabeth Apthorp McFadden
Release Date: March 8, 2005 [EBook #15290]
Language: English
Character set encoding: ISO-8859-1
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CHIMES RANG: A PLAY ***

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Why The Chimes Rang: A Play in One Act: by Elizabeth Apthorp
McFadden:
Adapted from the story of the same name: by Raymond McDonald
Alden

Samuel French: Publisher 25 West Forty-fifth Street: New York
LONDON

Samuel French, Ltd. 26 SOUTHAMPTON STREET, STRAND

COPYRIGHT, 1915, BY E.A. MCFADDEN

WHY THE CHIMES RANG.
This play is fully protected by copyright.
Permission to act, read publicly or make any use of it must be obtained
of Samuel French, 25 West 45th Street, New York. It may be presented
by amateurs upon payment of the following royalties:
1. This play may be presented by amateurs upon payment of a royalty
of Five Dollars for each performance, payable to Samuel French, at 25
West 45th Street, New York, or at 811 West 7th Street, Los Angeles,
Calif., one week before the date when the play is given.
2. Professional rates quoted on application.
3. Whenever this play is to be produced the following note must appear
on all programs, printing and advertising for the play:
This play is a dramatization of the story by Raymond MacDonald
Alden entitled "WHY THE CHIMES RANG," published by The
Bobbs-Merrill Company.
This version of Raymond MacDonald Alden's story is published with
permission of the Bobbs-Merrill Company of Indianapolis, Indiana, the
publishers of Professor Alden's story and the holders of the copyright.
WARNING The copying, either of separate parts or the whole of this
work by any process whatsoever, is forbidden by law and subject to the
penalties prescribed by Section 28 of the Copyright Law, in force July
1, 1909.

PREFACE.
This little play is prentice work done in Professor George P. Baker's
class, English 47 at Radcliffe College in the fall of 1908. Several years
later it was staged by Professor Baker in the "47 Workshop," his
laboratory for trying out plays written in the Harvard and Radcliffe
courses in dramatic technique.
I am glad to acknowledge here my indebtedness to the "Shop" and its
workers for this chance of seeing the play in action. Of the various

advantages which a "Workshop" performance secures to the author
none is more helpful than the mass of written criticism handed in by the
audience, and representing some two or three hundred frank and widely
varying views of the work in question. I am especially grateful for this
constructive criticism, much of which has been of real service in the
subsequent rewriting of the piece.
"Why the Chimes Rang" was again tried out the next year in seven
performances by the "Workshop" company in various Boston
settlements. Other groups of amateurs have given it in Arlington,
Massachusetts, Los Angeles, California and in Honolulu. These
performances have proved that while its setting may seem to call for
the equipment of a theatre, the play can be acceptably given in any hall
or Sunday school room.
Suggestions for the simplest possible staging have been added to the
present publication in an appendix which contains data on the scenery,
music, lighting, costumes and properties for the piece.
ELIZABETH APTHORP McFADDEN.

WHY THE CHIMES RANG.
CHARACTERS.
HOLGER.......................A peasant boy STEEN........................His
younger brother BERTEL.......................Their uncle AN OLD
WOMAN LORDS, LADIES, _etc._--
TIME:--Dusk of a day of long ago.
* * * * *
SCENE:--_The interior of a wood-chopper's hut on the edge of a
forest_.

Why the Chimes Rang.
The scene is laid in a peasant's hut on the edge of a forest near a
cathedral town. It is a dark low-raftered room lit only by the glowing
wood fire in the great fireplace in the wall to the right, and by a faint
moonlight that steals in through the little window high in the left wall.
This window commands a view of the cathedral and of the road leading
down into the town. The only entrance into the hut is the front door
near the window.

The furnishings are few: two substantial stools, one near the window,
the other before the fire, logs piled up near the hearth, and on the
chimney shelf above a few dishes, three