Whosoever Shall Offend | Page 6

F. Marion Crawford
of her own good heart? Had she not tried to realize literally for him the most beautiful possibilities of the Christian faith? That, at least, was true, and she could tell herself so without any mistaken pride. How, then, had she made any mistake? The boy had the face of a young saint.
"Are you ready, my dear?" she asked suddenly, as a far-off clock struck.
"Yes, mother, quite ready."
"I am not," she answered with a little laugh. "And Folco is waiting, and I hear the carriage driving up."
She slipped from Marcello's side and left the room quickly, for they were going to drive down to the sea, to a little shooting-lodge that belonged to them near Nettuno, a mere cottage among the trees by the Roman shore, habitable only in April and May, and useful only then, when the quail migrate along the coast and the malarious fever is not yet to be feared. It was there that Marcello had first learned to handle a gun, spending a week at a time there with his stepfather; and his mother used to come down now and then for a day or two on a visit, sometimes bringing her friend the Contessa dell' Armi. The latter had been very unhappy in her youth, and had been left a widow with one beautiful girl and a rather exiguous fortune. Some people thought that it was odd that the Signora Corbario, who was a saint if ever there was one, should have grown so fond of the Contessa, for the latter had seen stormy days in years gone by; and of course the ill-disposed gossips made up their minds that the Contessa was trying to catch Marcello for her daughter Aurora, though the child was barely seventeen.
This was mere gossip, for she was quite incapable of any such scheme. What the gossips did not know was something which would have interested them much more, namely, that the Contessa was the only person in Rome who distrusted Folco Corbario, and that she was in constant fear lest she should turn out to be right, and lest her friend's paradise should be suddenly changed into a purgatory. But she held her tongue, and her quiet face never betrayed her thoughts. She only watched, and noted from month to month certain small signs which seemed to prove her right; and she should be ready, whenever the time should come, by day or night, to help her friend, or comfort her, or fight for her.
If Corbario guessed that the Contessa did not trust him, he never showed it. He had found her installed as his wife's friend, and had accepted her, treating her with much courtesy and a sort of vicarious affection; but though he tried his best he could not succeed in reaching anything like intimacy with her, and while she seemed to conceal nothing, he felt that she was hiding her real self from him. Whether she did so out of pride, or distrust, or jealousy, he could never be sure. He was secretly irritated and humiliated by her power to oppose him and keep him at a distance without ever seeming to do so; but, on the other hand, he was very patient, very tenacious of his purpose, and very skilful. He knew something of the Contessa's past, but he recognised in her the nature that has known the world's worst side and has done with it for ever, and is lifted above it, and he knew the immense influence which the spectacle of a blameless life exercises upon the opinion of a good woman who has not always been blameless herself. Whatever he had been before he met his wife, whatever strange plans had been maturing in his brain since he had married her, his life had seemed as spotless from that day as the existence of the best man living. His wife believed in him, and the Contessa did not; but even she must in time accept the evidence of her senses. Then she, too, would trust him. Why it was essential that she should, he alone knew, unless he was merely piqued by her quiet reserve, as a child is when it cannot fix the attention of a grown-up person.
The Contessa and her daughter were to be of the party that day, and the carriage stopped where they lived, near the Forum of Trajan. They appeared almost directly, the Contessa in grey with a grey veil and Aurora dressed in a lighter shade, the thick plaits of her auburn hair tied up short below her round straw hat, on the theory that she was still a school-girl, whose skirt must not quite touch the ground, who ought not to wear a veil, and whose mind was supposed to be a sensitive blank, particularly
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