When Valmond Came To Pontiac | Page 3

the last, the Hotel Louis Quinze. The chief characteristics of Monsieur Garon's house were its brass door-knobs, and the verdant vines that climbed its sides; of the Little Chemist's shop, the perfect whiteness of the building, the rolls of sober wall- paper, and the bottles of coloured water in the shop windows; of Medallion's, the stoop that surrounded three sides of the building, and the notices of sales tacked up, pasted up, on the front; of the Hotel Louis Quinze, the deep dormer windows, the solid timbers, and the veranda that gave its front distinction--for this veranda had been the pride of several generations of landlords, and its heavy carving and bulky grace were worth even more admiration than Pontiac gave to it.
The square which the two roads and the four corners made was, on week- days, the rendezvous of Pontiac, and the whole parish; on Sunday mornings the rendezvous was shifted to the large church on the hill, beside which was the house of the Cure, Monsieur Fabre. Travelling towards the south, out of the silken haze of a mid-summer day, you would come in time to the hills of Maine; north, to the city of Quebec and the river St. Lawrence; east, to the ocean; and west, to the Great Lakes and the land of the English. Over this bright province Britain raised her flag, but only Medallion and a few others loved it for its own sake, or saluted it in the English tongue.
In the drab velvety dust of these four corners, were gathered, one night of July a generation ago, the children of the village and many of their elders. All the events of that epoch were dated from the evening of this particular day. Another day of note the parish cherished, but it was merely a grave fulfilment of the first.
Upon the veranda-stoop of the Louis Quinze stood a man of apparently about twenty-eight years of age. When you came to study him closely, some sense of time and experience in his look told you that he might be thirty-eight, though his few grey hairs seemed but to emphasise a certain youthfulness in him. His eye was full, singularly clear, almost benign, and yet at one moment it gave the impression of resolution, at another it suggested the wayward abstraction of the dreamer. He was well-figured, with a hand of peculiar whiteness, suggesting in its breadth more the man of action than of meditation. But it was a contradiction; for, as you saw it rise and fall, you were struck by its dramatic delicacy; as it rested on the railing of the veranda, by its latent power. You faced incongruity everywhere. His dress was bizarre, his face almost classical, the brow clear and strong, the profile good to the mouth, where there showed a combination of sensuousness and adventure. Yet in the face there was an illusive sadness, strangely out of keeping with the long linen coat, frilled shirt, flowered waistcoat, lavender trousers, boots of enamelled leather, and straw hat with white linen streamers. It was a whimsical picture.
At the moment that the Cure and Medallion the auctioneer came down the street together towards the Louis Quinze, talking amiably, this singular gentleman was throwing out hot pennies, with a large spoon, from a tray in his hand, calling on the children to gather them, in French which was not the French of Pontiac--or Quebec; and this refined accent the Cure was quick to detect, as Monsieur Garon the avocat, standing on the outskirts of the crowd, had done, some moments before. The stranger seemed only conscious of his act of liberality and the children before him. There was a naturalness in his enjoyment which was almost boylike; a naive sort of exultation possessed him.
He laughed softly to see the children toss the pennies from hand to hand, blowing to cool them; the riotous yet half-timorous scramble for them, and burnt fingers thrust into hot, blithe mouths. And when he saw a fat little lad of five crowded out of the way by his elders, he stepped down with a quick word of sympathy, put a half-dozen pennies in the child's pocket, snatched him up and kissed him, and then returned to the stoop, where were gathered the landlord, the miller, and Monsieur De la Riviere, the young Seigneur. But the most intent spectator of the scene was Parpon the dwarf, who was grotesquely crouched upon the wide ledge of a window.
Tray after tray of pennies was brought out and emptied, till at last the stranger paused, handed the spoon to the landlord, drew out a fine white handkerchief and dusted his fingers, standing silent for a moment and smiling upon the crowd.
It was at this point that some young villager called, in profuse compliment: "Three