Virginibus Puerisque | Page 4

find some possible ground of compromise. They will learn each other's ways and humours, so as to know where they must go warily, and where they may lean their whole weight. The discretion of the first years becomes the settled habit of the last; and so, with wisdom and patience, two lives may grow indissolubly into one.
But marriage, if comfortable, is not at all heroic. It certainly narrows and damps the spirits of generous men. In marriage, a man becomes slack and selfish, and undergoes a fatty degeneration of his moral being. It is not only when Lydgate misallies himself with Rosamond Vincy, but when Ladislaw marries above him with Dorothea, that this may be exemplified. The air of the fireside withers out all the fine wildings of the husband's heart. He is so comfortable and happy that he begins to prefer comfort and happiness to everything else on earth, his wife included. Yesterday he would have shared his last shilling; to-day "his first duty is to his family," and is fulfilled in large measure by laying down vintages and husbanding the health of an invaluable parent. Twenty years ago this man was equally capable of crime or heroism; now he is fit for neither. His soul is asleep, and you may speak without constraint; you will not wake him. It is not for nothing that Don Quixote was a bachelor and Marcus Aurelius married ill. For women, there is less of this danger. Marriage is of so much use to a woman, opens out to her so much more of life, and puts her in the way of so much more freedom and usefulness, that, whether she marry ill or well, she can hardly miss some benefit. It is true, however, that some of the merriest and most genuine of women are old maids; and that those old maids, and wives who are unhappily married, have often most of the true motherly touch. And this would seem to show, even for women, some narrowing influence in comfortable married life. But the rule is none the less certain: if you wish the pick of men and women, take a good bachelor and a good wife.
I am often filled with wonder that so many marriages are passably successful, and so few come to open failure, the more so as I fail to understand the principle on which people regulate their choice. I see women marrying indiscriminately with staring burgesses and ferret-faced, white-eyed boys, and men dwell in contentment with noisy scullions, or taking into their lives acidulous vestals. It is a common answer to say the good people marry because they fall in love; and of course you may use and misuse a word as much as you please, if you have the world along with you. But love is at least a somewhat hyperbolical expression for such luke-warm preference. It is not here, anyway, that Love employs his golden shafts; he cannot be said, with any fitness of language, to reign here and revel. Indeed, if this be love at all, it is plain the poets have been fooling with mankind since the foundation of the world. And you have only to look these happy couples in the face, to see they have never been in love, or in hate, or in any other high passion, all their days. When you see a dish of fruit at dessert, you sometimes set your affections upon one particular peach or nectarine, watch it with some anxiety as it comes round the table, and feel quite a sensible disappointment when it is taken by some one else. I have used the phrase "high passion." Well, I should say this was about as high a passion as generally leads to marriage. One husband hears after marriage that some poor fellow is dying of his wife's love. "What a pity!" he exclaims; "you know I could so easily have got another!" And yet that is a very happy union. Or again: A young man was telling me the sweet story of his loves. "I like it well enough as long as her sisters are there," said this amorous swain; "but I don't know what to do when we're alone." Once more: A married lady was debating the subject with another lady. "You know, dear," said the first, "after ten years of marriage, if he is nothing else, your husband is always an old friend." "I have many old friends," returned the other, "but I prefer them to be nothing more." "Oh, perhaps I might PREFER that also!" There is a common note in these three illustrations of the modern idyll; and it must be owned the god goes among us with a limping gait and blear eyes. You wonder whether it was so always; whether