Victorian Short Stories | Page 3

be feasible enough at night, but absolutely wild and impracticable in the morning. One day--and it was a bright day indeed for me--the old woman who tended me told me that a gondolier had inquired whether the English signor had gone away or had died; and so I learnt that the little maid had been anxious about me, and that she had sent her brother to inquire, and the brother had no doubt taken to her the reason of my protracted absence from the window.
From that day, and ever after during my three weeks of bed-keeping, a flower was found every morning on the ledge of my window, which was within easy reach of anyone in a boat; and when at last a day came when I could be moved, I took my accustomed place on my sofa at the window, and the little maid saw me, and stood on her head (so to speak) and clapped her hands upside down with a delight that was as eloquent as my right-end-up delight could be. And so the first time the gondolier passed my window I beckoned to him, and he pushed alongside, and told me, with many bright smiles, that he was glad indeed to see me well again. Then I thanked him and his sister for their many kind thoughts about me during my retreat, and I then learnt from him that her name was Angela, and that she was the best and purest maiden in all Venice, and that anyone might think himself happy indeed who could call her sister, but that he was happier even than her brother, for he was to be married to her, and indeed they were to be married the next day.
Thereupon my heart seemed to swell to bursting, and the blood rushed through my veins so that I could hear it and nothing else for a while. I managed at last to stammer forth some words of awkward congratulation, and he left me, singing merrily, after asking permission to bring his bride to see me on the morrow as they returned from church.
'For', said he, 'my Angela has known you very long--ever since she was a child, and she has often spoken to me of the poor Englishman who was a good Catholic, and who lay all day long for years and years on a sofa at a window, and she had said over and over again how dearly she wished she could speak to him and comfort him; and one day, when you threw a flower into the canal, she asked me whether she might throw another, and I told her yes, for he would understand that it meant sympathy for one sorely afflicted.'
And so I learned that it was pity, and not love, except indeed such love as is akin to pity, that prompted her to interest herself in my welfare, and there was an end of it all.
For the two flowers that I thought were on one stem were two flowers tied together (but I could not tell that), and they were meant to indicate that she and the gondolier were affianced lovers, and my expressed pleasure at this symbol delighted her, for she took it to mean that I rejoiced in her happiness.
And the next day the gondolier came with a train of other gondoliers, all decked in their holiday garb, and on his gondola sat Angela, happy, and blushing at her happiness. Then he and she entered the house in which I dwelt, and came into my room (and it was strange indeed, after so many years of inversion, to see her with her head above her feet!), and then she wished me happiness and a speedy restoration to good health (which could never be); and I in broken words and with tears in my eyes, gave her the little silver crucifix that had stood by my bed or my table for so many years. And Angela took it reverently, and crossed herself, and kissed it, and so departed with her delighted husband.
And as I heard the song of the gondoliers as they went their way--the song dying away in the distance as the shadows of the sundown closed around me--I felt that they were singing the requiem of the only love that had ever entered my heart.

THE PARSON'S DAUGHTER OF OXNEY COLNE
By Anthony Trollope
(_London Review_, 2 March 1861)
The prettiest scenery in all England--and if I am contradicted in that assertion, I will say in all Europe--is in Devonshire, on the southern and southeastern skirts of Dartmoor, where the rivers Dart and Avon and Teign form themselves, and where the broken moor is half cultivated, and the wild-looking uplands fields are half moor. In making this assertion I am often met with much doubt, but it is