Via Crucis | Page 6

in the perfect transparency of the man's healthy olive complexion, in the mouselike sleekness of his long arching eyebrows, and in the perfect self-satisfaction and confidence of his rather insolent reddish-brown eyes. His straight round throat, well proportioned, well set upon his shoulders, and transparently smooth as his own forehead, was thrown into relief by the exquisite gold embroidery that edged the shirt of finest Flemish linen. He wore a close-fitting tunic of fine scarlet cloth, with tight sleeves slightly turned back to display his shapely wrists; it was gathered to his waist by a splendid sword-belt, made of linked and enamelled plates of silver, the work of a skilled Byzantine artist, each plate representing in rich colours a little scene from the life and passion of Christ. The straight cross-hilted sword stood leaning against the wall near the great chimney-piece, but the dagger was still at the belt, a marvel of workmanship, a wonder of temper, a triumph of Eastern art, when almost all art was Eastern. The hilt of solid gold, eight- sided and notched, was cross-chiselled in a delicate but deep design, picked out with rough gems, set with cunning irregularity; the guard, a hollowed disk of steel, graven and inlaid in gold with Kufic characters; the blade, as long as a man's arm from the elbow to the wrist-joint, forged of steel and silver by a smith of Damascus, well balanced, slender, with deep blood-channels scored on each side to within four fingers of the thrice-hardened point, that could prick as delicately as a needle or pierce fine mail like a spike driven by a sledge-hammer. The tunic fell in folds to the knee, and the close- fitted cloth hose were of a rich dark brown. Sir Arnold wore short riding-boots of dark purple leather, having the tops worked round with a fine scarlet lacing; but the spur-leathers were of the same colour as the boot and the spurs themselves of steel, small, sharp, unornamented, and workmanlike.
Six years had passed since that evening, and still, when the Lady Goda closed her eyes and thought of Sir Arnold, she saw him as she had seen him then, with every line of his expression, every detail of his dress, sitting beside her in the warm firelight, leaning forward a little in his chair, and talking to her in a tone of voice that was meant to be monotonous to the sleeper's ear, but not by any means to her own. Between Warde and Curboil the acquaintance had matured--had been in a measure forced in its growth by circumstances and mutual obligations; but it had never ripened into the confidence of friendship on Warde's side, while on Sir Arnold's it had been but a well-played comedy to hide his rising hatred for the Lady Goda's husband. And she, on her side, played her part as well. An alliance in which ambition had held the place of heart could not remain an alliance at all when ambition had been altogether disappointed. She hated her husband for having disappointed her; she despised him for having made nothing of his many gifts and chances, for clinging to an old cause, for being old- fashioned, for having seen much and taken nothing--which makes 'rich eyes and poor hands'--for being slow, good-natured, kind-hearted, and a prey to all who wished to get anything from him. She reflected with bitterness that for a matter of seven or eight years of waiting, and a turn of chance which would have meant happiness instead of misery, she might have had the widowed Sir Arnold for a husband and have been the Archbishop of Canterbury's cousin, high in favour with the winning side in the civil war and united to a man who would have known how to flatter her cold nature into a fiction of feeling, instead of wasting on her the almost exaggerated respect with which a noble passion envelops its object, but which, to most women, becomes in the end unspeakably wearisome.
Many a time during those six years had she and Sir Arnold met and talked as on the first night. Once, when the Empress Maud had taken King Stephen prisoner, and things looked ill for his followers, Warde had insisted that his neighbour should come over to Stoke Regis, as being a safer place than his own castle; and once again, when Stephen had the upper hand, and Sir Raymond was fighting desperately under Gloucester, his wife had taken her son, and the priest, and some of her women, and had ridden over to ask protection of Sir Arnold, leaving the manor to take care of itself.
At first Curboil had constantly professed admiration for Warde's mental and physical gifts; but little by little, tactfully feeling his distance, he had made the lady meet his