Vendetta | Page 9

impatience with the same frankness, their sidelong glances were none the less directed on Ginevra.
"She hasn't noticed it!" said Mademoiselle Roguin.
At this instant Ginevra abandoned the meditative attitude in which she had been contemplating her canvas, and turned her head toward the group of aristocrats. She measured, at a glance, the distance that now separated her from them; but she said nothing.
"It hasn't occurred to her that they meant to insult her," said Matilde; "she neither colored nor turned pale. How vexed these girls will be if she likes her new place as well as the old! You are out of bounds, mademoiselle," she added, aloud, addressing Ginevra.
The Italian pretended not to hear; perhaps she really did not hear. She rose abruptly; walked with a certain deliberation along the side of the partition which separated the adjoining closet from the studio, and seemed to be examining the sash through which her light came,-- giving so much importance to it that she mounted a chair to raise the green serge, which intercepted the light, much higher. Reaching that height, her eye was on a level with a slight opening in the partition, the real object of her efforts, for the glance that she cast through it can be compared only to that of a miser discovering Aladdin's treasure. Then she sprang down hastily and returned to her place, changed the position of her picture, pretended to be still dissatisfied with the light, pushed a table close to the partition, on which she placed a chair, climbed lightly to the summit of this erection, and again looked through the crevice. She cast but one glance into the space beyond, which was lighted through a skylight; but what she saw produced so strong an effect upon her that she tottered.
"Take care, Mademoiselle Ginevra, you'll fall!" cried Laure.
All the young girls gazed at the imprudent climber, and the fear of their coming to her gave her courage; she recovered her equilibrium, and replied, as she balanced herself on the shaking chair:--
"Pooh! it is more solid than a throne!"
She then secured the curtain and came down, pushed the chair and table as far as possible from the partition, returned to her easel, and seemed to be arranging it to suit the volume of light she had now thrown upon it. Her picture, however, was not in her mind, which was wholly bent on getting as near as possible to the closet, against the door of which she finally settled herself. Then she began to prepare her palette in the deepest silence. Sitting there, she could hear, distinctly, a sound which had strongly excited her curiosity the evening before, and had whirled her young imagination across vast fields of conjecture. She recognized the firm and regular breathing of a man whom she had just seen asleep. Her curiosity was satisfied beyond her expectations, but at the same time she felt saddled by an immense responsibility. Through the opening in the wall she had seen the Imperial eagle; and upon the flock bed, faintly lighted from above, lay the form of an officer of the Guard. She guessed all. Servin was hiding a proscribed man!
She now trembled lest any of her companions should come near here to examine her picture, when the regular breathing or some deeper breath might reveal to them, as it had to her, the presence of this political victim. She resolved to keep her place beside that door, trusting to her wits to baffle all dangerous chances that might arise.
"Better that I should be here," thought she, "to prevent some luckless accident, than leave that poor man at the mercy of a heedless betrayal."
This was the secret of the indifference which Ginevra had apparently shown to the removal of her easel. She was inwardly enchanted, because the change had enabled her to gratify her curiosity in a natural manner; besides, at this moment, she was too keenly preoccupied to perceive the reason of her removal.
Nothing is more mortifying to young girls, or, indeed, to all the world, than to see a piece of mischief, an insult, or a biting speech, miss its effect through the contempt or the indifference of the intended victim. It seems as if hatred to an enemy grows in proportion to the height that enemy is raised above us. Ginevra's behavior was an enigma to all her companions; her friends and enemies were equally surprised; for the former claimed for her all good qualities, except that of forgiveness of injuries. Though, of course, the occasions for displaying that vice of nature were seldom afforded to Ginevra in the life of a studio, still, the specimens she had now and then given of her vindictive disposition had left a strong impression on the minds of her companions.
After many conjectures, Mademoiselle