Engelmann, and Morren. A very large number of communications on teratological subjects in the various European scientific publications have also been laid under contribution. In most cases reference has been given to, and due acknowledgment made of, the sources whence information has been gathered. Should any such reference be omitted, the neglect must be attributed to inadvertence, not to design. In selecting illustrations from the immense number of recorded facts, the principle followed has been to choose those which seemed either intrinsically the most important, or those which are recorded with the most care. In addition to these public sources of information, the author has availed himself of every opportunity that has offered itself of examining cases of unusual conformation in plants. For many such opportunities the author has to thank his friends and correspondents. Nor has he less reason to be grateful for the suggestions that they have made, and the information they have supplied. In particular the writer is desirous of acknowledging his obligations to the Society, under whose auspices this work is published, and to Mr. S. J. Salter, to whom the book in some degree owes its origin.
The drawings, where not otherwise stated, have been executed either from the author's own rough sketches, or from the actual specimens, by Mr. E. M. Williams. A large number of woodcuts have also been kindly placed at the disposal of the author by the proprietors of the 'Gardeners' Chronicle.'[2]
As it is impossible to frame any but a purely arbitrary definition of teratology or to trace the limits between variation and malformation, it may suffice to say that vegetable teratology comprises the history of the irregularities of growth and development in plants, and of the causes producing them. These irregularities differ from variations mainly in their wider deviation from the customary structure, in their more frequent and more obvious dependence on external causes rather than on inherent tendency, in their more sudden appearance, and lastly in their smaller liability to be transmitted by inheritance.
What may be termed normal morphology includes the study of the form, arrangement, size and other characteristic attributes of the several parts of plants, their internal structure, and the precise relation one form bears to another. In order the more thoroughly to investigate these matters it is necessary to consider the mode of growth, and specially the plan of evolution or development of each organ. This is the more needful owing to the common origin of things ultimately very different one from the other, and to the presence of organs which, in the adult state, are identical or nearly so in aspect, but which nevertheless are very unlike in the early stages of their existence.[3] Following Goethe, these changes in the course of development are sometimes called metamorphoses. In this way Agardh[4] admits three kinds of metamorphosis, which he characterises as: 1st. Successive metamorphoses, or those changes in the course of evolution which each individual organ undergoes in its passage from the embryonic to the adult condition, or from the simple and incomplete to the complex and perfect. 2. Ascending metamorphoses, including those changes of form manifested in the same adult organism by the several parts of which it consists--those parts being typically identical or homologous, such as the parts of the flower, or, in animals, the vertebr?, &c. 3. Collateral metamorphoses, comprising those permutations of form and function manifested in homologous organs in the different groups of organisms, classes, orders, genera, species, &c.
Thus, in the first instance, we have a comparative examination of the form of each or any separate part of the same individual at different epochs in its life-history; in the second we have a similar comparison instituted between the several parts of the same organism which originally were identical in appearance, but which have in course of evolution altered in character. In the third form we have the comparative view not of one organ at different times, nor of the several parts of one organism, but of the constituent elements pertaining to those aggregates of individuals to which naturalists apply the terms classes, orders, &c.
In successive metamorphosis we have a measure of the amount of change and of the perfection of structure to which each separate organ attains.
In ascending metamorphosis we have a gauge of the extent of alteration that may take place in the several homologous organs under existing circumstances.
In collateral metamorphosis, in the same way, we have an illustration of the degree of change possible in aggregates of organisms under existing circumstances.
Now it is clear that from an investigation of all three classes just mentioned, we shall be able to gain an idea of those points which are common to all parts, to all individuals or to all aggregates, and those that are peculiar to some of them, and, by eliminating
Continue reading on your phone by scaning this QR Code
Tip: The current page has been bookmarked automatically. If you wish to continue reading later, just open the
Dertz Homepage, and click on the 'continue reading' link at the bottom of the page.