Vain Fortune

Vain Fortune, by George Moore

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Title: Vain Fortune
Author: George Moore
Release Date: February 26, 2004 [eBook #11303]
Language: English
Character set encoding: US-ASCII
***START OF THE PROJECT GUTENBERG EBOOK VAIN
FORTUNE***

[Illustration: "She slipped on her knees, and burst into a passionate fit
of weeping."]
Vain Fortune
A Novel
By

George Moore
With Five Illustrations ByMaurice Greiffenhagen
New Edition
Completely Revised
London: Walter Scott, Ltd. Paternoster Square
1895
Edinburgh: T. and A. Constable, Printers to Her Majesty

Prefatory Note
I hope it will not seem presumptuous to ask my critics to treat this new
edition of Vain Fortune as a new book: for it is a new book. The first
edition was kindly noticed, but it attracted little attention, and very
rightly, for the story as told therein was thin and insipid; and when
Messrs. Scribner proposed to print the book in America, I stipulated
that I should be allowed to rewrite it. They consented, and I began the
story with Emily Watson, making her the principal character instead of
Hubert Price. Some months after I received a letter from Madam
Couperus, offering to translate the English edition into Dutch. I sent her
the American edition, and asked her which she would prefer to translate
from. Madam Couperus replied that many things in the English edition,
which she would like to retain, had been omitted from the American
edition, that the hundred or more pages which I had written for the
American edition seemed to her equally worthy of retention.
She pointed out that, without the alteration of a sentence, the two
versions could be combined. The idea had not occurred to me; I saw,
however, that what she proposed was not only feasible but
advantageous. I wrote, therefore, giving her the required permission,
and thanking her for a suggestion which I should avail myself of when
the time came for a new English edition.

The union of the texts was no doubt accomplished by Madam Couperus,
without the alteration of a sentence; but no such accomplished editing
is possible to me; I am a victim to the disease of rewriting, and the
inclusion of the hundred or more pages of new matter written for the
American edition led me into a third revision of the story. But no more
than in the second has the skeleton, or the attitude of the skeleton been
altered in this third version, only flesh and muscle have been added,
and, I think, a little life. Vain Fortune, even in its present form, is
probably not my best book, but it certainly is far from being my worst.
But my opinion regarding my own work is of no value; I do not write
this Prefatory Note to express it, but to ask my critics and my readers to
forget the original Vain Fortune, and to read this new book as if it were
issued under another title.
G.M.

I
The lamp had not been wiped, and the room smelt slightly of paraffin.
The old window-curtains, whose harsh green age had not softened,
were drawn. The mahogany sideboard, the threadbare carpet, the small
horsehair sofa, the gilt mirror, standing on a white marble
chimney-piece, said clearly, 'Furnished apartments in a house built
about a hundred years ago.' There were piles of newspapers, there were
books on the mahogany sideboard and on the horsehair sofa, and on the
table there were various manuscripts,--The Gipsy, Act I.; The Gipsy,
Act III., Scenes iii. and iv.
A sheet of foolscap paper, and upon it a long slender hand. The hand
traced a few lines of fine, beautiful caligraphy, then it paused,
correcting with extreme care what was already written, and in a
hesitating, minute way, telling of a brain that delighted in the correction
rather than in the creation of form.
The shirt-cuff was frayed and dirty. The coat was thin and shiny. A
half-length figure of a man drew out of the massed shadows between

the window and sideboard. The red beard caught the light, and the
wavy brown hair brightened. Then a look of weariness, of distress,
passed over the face, and the man laid down the pen, and, taking some
tobacco from a paper, rolled a cigarette. Rising, and leaning forward, he
lighted it over the lamp. He was a man of about thirty-six feet,
broad-shouldered, well-built, healthy, almost handsome.
The time he spent in dreaming his play amounted to six times, if not ten
times, as much as