of terms. He had, as Peter pointed out to me, the happy knack of persuading himself that there was something vastly mysterious and superior about the whole Chinese race, that there was some Chinese organization known as the Six Companions, which, so far as I could make out from him, was ruling very nearly (and secretly, of course) the entire habitable globe. For one thing it had some governing connection with great constructive ventures of one kind and another in all parts of the world, supplying, as he said, thousands of Chinese laborers to any one who desired them, anywhere, and although they were employed by others, ruling them with a rod of iron, cutting their throats when they failed to perform their bounden duties and burying them head down in a basket of rice, then transferring their remains quietly to China in coffins made in China and brought for that purpose to the country in which they were. The Chinese who had worked for the builders of the Union Pacific had been supplied by this company, as I understood from Dick. In regard to all this Peter used to analyze and dispose of Dick's self-generated romance with the greatest gusto, laughing the while and yet pretending to accept it all.
But there was one phase of all this which interested Peter immensely. Were there on sale in St. Louis any bits of jade, silks, needlework, porcelains, basketry or figurines of true Chinese origin? He was far more interested in this than in the social and economic sides of the lives of the Chinese, and was constantly urging Dick to take him here, there and everywhere in order that he might see for himself what of these amazing wonders were locally extant, leading Dick in the process a merry chase and a dog's life. Dick was compelled to persuade nearly all of his boasted friends to produce all they had to show. Once, I recall, a collection of rare Chinese porcelains being shown at the local museum of art, there was nothing for it but that Dick must get one or more of his Oriental friends to interpret this, that and the other symbol in connection with this, that and the other vase--things which put him to no end of trouble and which led to nothing, for among all the local Chinese there was not one who knew anything about it, although they, Dick included, were not honest enough to admit it.
"You know, Dreiser," Peter said to me one day with the most delicious gleam of semi-malicious, semi-tender humor, "I am really doing all this just to torture Dick. He doesn't know a damned thing about it and neither do these Chinese, but it's fun to haul 'em out there and make 'em sweat. The museum sells an illustrated monograph covering all this, you know, with pictures of the genuinely historic pieces and explanations of the various symbols in so far as they are known, but Dick doesn't know that, and he's lying awake nights trying to find out what they're all about. I like to see his expression and that of those chinks when they examine those things." He subsided with a low chuckle all the more disturbing because it was so obviously the product of well-grounded knowledge.
Another phase of this same humor related to the grand artistic, social and other forms of life to which Dick was hoping to ascend via marriage and which led him, because of a kind of anticipatory eagerness, into all sorts of exaggerations of dress, manners, speech, style in writing or drawing, and I know not what else. He had, as I have said, a "studio" in Broadway, an ordinary large, square upper chamber of an old residence turned commercial but which Dick had decorated in the most, to him, recherch�� or different manner possible. In Dick's gilding imagination it was packed with the rarest and most carefully selected things, odd bits of furniture, objects of art, pictures, books--things which the ordinary antique shop provides in plenty but which to Dick, having been reared in Bloomington, Illinois, were of the utmost artistic import. He had vaulting ambitions and pretensions, literary and otherwise, having by now composed various rondeaus, triolets, quatrains, sonnets, in addition to a number of short stories over which he had literally slaved and which, being rejected by many editors, were kept lying idly and inconsequentially and seemingly inconspicuously about his place--the more to astonish the poor unsophisticated "outsider." Besides it gave him the opportunity of posing as misunderstood, neglected, depressed, as becomes all great artists, poets, and thinkers.
His great scheme or dream, however, was that of marriage to an heiress, one of those very material and bovine daughters of the new rich in the West end, and to this end he
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