Triumph of the Egg and Other Stories | Page 9

Sherwood Anderson
them alone. In a hundred ways she continually invited approaches that when made she repelled. When she stood naked in the bathroom facing the hallway where the men passed up and down she left the door slightly ajar. There was a couch in the living room down stairs, and when men were present she would sometimes enter and without saying a word throw herself down before them. On the couch she lay with lips drawn slightly apart. Her eyes stared at the ceiling. Her whole physical being seemed to be waiting for something. The sense of her filled the room. The men standing about pretended not to see. They talked loudly. Embarrassment took possession of them and one by one they crept quietly away.
One evening the woman was ordered to leave the house. Someone, perhaps the drygoods clerk, had talked to the landlady and she acted at once. "If you leave tonight I shall like it that much better," LeRoy heard the elder woman's voice saying. She stood in the hallway before the Iowa woman's room. The landlady's voice rang through the house.
LeRoy the painter is tall and lean and his life has been spent in devotion to ideas. The passions of his brain have consumed the passions of his body. His income is small and he has not married. Perhaps he has never had a sweetheart. He is not without physical desire but he is not primarily concerned with desire.
On the evening when the Iowa woman was ordered to leave the west-side house, she waited until she thought the landlady had gone down stairs, and then went into LeRoy's room. It was about eight o'clock and he sat by a window reading a book. The woman did not knock but opened the door. She said nothing but ran across the floor and knelt at his feet. LeRoy said that her twisted foot made her run like a wounded bird, that her eyes were burning and that her breath came in little gasps. "Take me," she said, putting her face down upon his knees and trembling violently. "Take me quickly. There must be a beginning to things. I can't stand the waiting. You must take me at once."
You may be quite sure LeRoy was perplexed by all this. From what he has said I gathered that until that evening he had hardly noticed the woman. I suppose that of all the men in the house he had been the most indifferent to her. In the room something happened. The landlady followed the woman when she ran to LeRoy, and the two women confronted him. The woman from Iowa knelt trembling and frightened at his feet. The landlady was indignant. LeRoy acted on impulse. An inspiration came to him. Putting his hand on the kneeling woman's shoulder he shook her violently. "Now behave yourself," he said quickly. "I will keep my promise." He turned to the landlady and smiled. "We have been engaged to be married," he said. "We have quarreled. She came here to be near me. She has been unwell and excited. I will take her away. Please don't let yourself be annoyed. I will take her away."
When the woman and LeRoy got out of the house she stopped weeping and put her hand into his. Her fears had all gone away. He found a room for her in another house and then went with her into a park and sat on a bench.
* * * * *
Everything LeRoy has told me concerning this woman strengthens my belief in what I said to the man that day in the mountains. You cannot venture along the road of lives. On the bench he and the woman talked until midnight and he saw and talked with her many times later. Nothing came of it. She went back, I suppose, to her place in the West.
In the place from which she had come the woman had been a teacher of music. She was one of four sisters, all engaged in the same sort of work and, LeRoy says, all quiet capable women. Their father had died when the eldest girl was not yet ten, and five years later the mother died also. The girls had a house and a garden.
In the nature of things I cannot know what the lives of the women were like but of this one may be quite certain--they talked only of women's affairs, thought only of women's affairs. No one of them ever had a lover. For years no man came near the house.
Of them all only the youngest, the one who came to Chicago, was visibly affected by the utterly feminine quality of their lives. It did something to her. All day and every day she taught music to young girls and then went home to
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