Trilby | Page 3

George du Maurier
little stretch of the imagination on his part; and he gazed with a sense of novelty, an interest and a pleasure for which he could not have found any expression in mere language.
Paris! Paris!! Paris!!!
The very name had always been one to conjure with, whether he thought of it as a mere sound on the lips and in the ear, or as a magical written or printed word for the eye. And here was the thing itself at last, and he, he himself ipsissimus, in the very heart of it, to live there and learn there as long as he liked, and make himself the great artist he longed to be.
Then, his meal finished, he lit a pipe, and flung himself on the divan and sighed deeply, out of the over-full contentment of his heart.
He felt he had never known happiness like this, never even dreamed its possibility. And yet his life had been a happy one. He was young and tender, was Little Billee; he had never been to any school, and was innocent of the world and its wicked ways; innocent of French especially, and the ways of Paris and its Latin Quarter. He had been brought up and educated at home, had spent his boyhood in London with his mother and sister, who now lived in Devonshire on somewhat straitened means. His father, who was dead, had been a clerk in the Treasury.
He and his two friends, Taffy and the Laird, had taken this studio together. The Laird slept there, in a small bedroom off the studio. Taffy had a bedroom at the Hotel de Seme, in the street of that name. Little Billee lodged at the Hotel Corneille, in the Place de l'Odeon.
He looked at his two friends, and wondered if any one, living or dead, had ever had such a glorious pair of chums as these.
Whatever they did, whatever they said, was simply perfect in his eyes; they were his guides and philosophers as well as his chums. On the other hand, Taffy and the Laird were as fond of the boy as they could be.
His absolute belief in all they said and did touched them none the less that they were conscious of its being somewhat in excess of their deserts. His almost girlish purity of mind amused and charmed them, and they did all they could to preserve it, even in the Quartier Latin, where purity is apt to go bad if it be kept too long.
They loved him for his affectionate disposition, his lively and caressing ways; and they admired him far more than he ever knew, for they recognised in him a quickness, a keenness, a delicacy of perception, in matters of form and colour, a mysterious facility and felicity of execution, a sense of all that was sweet and beautiful in nature, and a ready power of expressing it, that had not been vouchsafed to them in any such generous profusion, and which, as they ungrudgingly admitted to themselves and each other, amounted to true genius.
And when one within the immediate circle of our intimates is gifted in this abnormal fashion, we either hate or love him for it, in proportion to the greatness of his gift; according to the way we are built.
So Taffy and the Laird loved Little Billee--loved him very much indeed. Not but what Little Billee had his faults. For instance, he didn't interest himself very warmly in other people's pictures. He didn't seem to care for the Laird's guitar-playing toreador, nor for his serenaded lady--at all events, he never said anything about them, either in praise or blame. He looked at Taffy's realisms (for Taffy was a realist) in silence, and nothing tries true friendship so much as silence of this kind.
But, then, to make up for it, when they all three went to the Louvre, he didn't seem to trouble much about Titian either, or Rembrandt, or Velasquez, Rubens, Veronese, or Leonardo. He looked at the people who looked at the pictures, instead of at the pictures themselves; especially at the people who copied them, the sometimes charming young lady painters--and these seemed to him even more charming than they really were--and he looked a great deal out of the Louvre windows, where there was much to be seen: more Paris, for instance--Paris, of which he could never have enough.
But when, surfeited with classical beauty, they all three went and dined together, and Taffy and the Laird said beautiful things about the old masters, and quarrelled about them, he listened with deference and rapt attention and reverentially agreed with all they said; and afterwards made the most delightfully funny little pen-and-ink sketches of them, saying all these beautiful things (which he sent to his mother and sister at home); so lifelike, so real, that
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