Travels through France Italy | Page 6

land. Smollett was energetic and ambitious enough to start in rather a grand way, with a large house, a carriage, menservants, and the rest. His wife was a fine lady, a "Creole" beauty who had a small dot of her own; but, on the other hand, her income was very precarious, and she herself somewhat of a silly and an incapable in the eyes of Smollett's old Scotch friends. But to maintain such a position--to keep the bailiffs from the door from year's end to year's end--was a truly Herculean task in days when a newspaper "rate" of remuneration or a well-wearing copyright did not so much as exist, and when Reviews sweated their writers at the rate of a guinea per sheet of thirty-two pages. Smollett was continually having recourse to loans. He produced the eight (or six or seven) hundred a year he required by sheer hard writing, turning out his History of England, his Voltaire, and his Universal History by means of long spells of almost incessant labour at ruinous cost to his health. On the top of all this cruel compiling he undertook to run a Review (The Critical), a magazine (The British), and a weekly political organ (The Briton). A charge of defamation for a paragraph in the nature of what would now be considered a very mild and pertinent piece of public criticism against a faineant admiral led to imprisonment in the King's Bench Prison, plus a fine of ��100. Then came a quarrel with an old friend, Wilkes--not the least vexatious result of that forlorn championship of Bute's government in The Briton. And finally, in part, obviously, as a consequence of all this nervous breakdown, a succession of severe catarrhs, premonitory in his case of consumption, the serious illness of the wife he adored, and the death of his darling, the "little Boss" of former years, now on the verge of womanhood. To a man of his extraordinarily strong affections such a series of ills was too overwhelming. He resolved to break up his establishment at Chelsea, and to seek a remedy in flight from present evils to a foreign residence. Dickens went to hibernate on the Riviera upon a somewhat similar pretext, though fortunately without the same cause, as far as his health was concerned.
Now note another very characteristic feature of these Travel Letters. Smollett went abroad not for pleasure, but virtually of necessity. Not only were circumstances at home proving rather too much for him, but also, like Stevenson, he was specifically "ordered South" by his physicians, and he went with the deliberate intention of making as much money as possible out of his Travel papers. In his case he wrote long letters on the spot to his medical and other friends at home. When he got back in the summer of 1765 one of his first cares was to put the Letters together. It had always been his intention carefully to revise them for the press. But when he got back to London he found so many other tasks awaiting him that were so far more pressing, that this part of his purpose was but very imperfectly carried out. The Letters appeared pretty much as he wrote them. Their social and documentary value is thereby considerably enhanced, for they were nearly all written close down to the facts. The original intention had been to go to Montpellier, which was still, I suppose, the most popular health resort in Southern Europe. The peace of 1763 opened the way. And this brings us to another feature of distinction in regard to Smollett's Travels. Typical Briton, perfervid Protestant of Britain's most Protestant period, and insular enrage though he doubtless was, Smollett had knocked about the world a good deal and had also seen something of the continent of Europe. He was not prepared to see everything couleur de rose now. His was quite unlike the frame of mind of the ordinary holiday-seeker, who, partly from a voluntary optimism, and partly from the change of food and habit, the exhilaration caused by novel surroundings, and timidity at the unaccustomed sounds he hears in his ears, is determined to be pleased with everything. Very temperamental was Smollett, and his frame of mind at the time was that of one determined to be pleased with nothing. We know little enough about Smollett intime. Only the other day I learned that the majority of so- called Smollett portraits are not presentments of the novelist at all, but ingeniously altered plates of George Washington. An interesting confirmation of this is to be found in the recently published Letters of Charles Kirkpatrick Sharpe to Robert Chambers. "Smollett wore black cloaths--a tall man--and extreamly handsome. No picture of him is known to be extant--all that have been foisted on the