Tomlinsoniana

Tomlinsoniana, by E. B. Lytton, Complete

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Title: Tomlinsoniana
Author: Edward Bulwer-Lytton
Release Date: March 2005 [EBook #7736] [Yes, we are more than one year ahead of schedule] [This file was first posted on May 13, 2003]
Edition: 10
Language: English
Character set encoding: ASCII

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This eBook was produced by Bryan Sherman and David Widger, [email protected]

TOMLINSONIANA
By Edward Bulwer-Lytton
OR,
THE POSTHUMOUS WRITINGS
OF THE CELEBRATED
AUGUSTUS TOMLINSON,
PROFESSOR OF MORAL PHILOSOPHY IN THE UNIVERSITY OF -------
ADDRESSED TO HIS PUPILS,
AND COMPRISING
I MAXIMS ON THE POPULAR ART OF CREATING, ILLUSTRATED BY TEN CHARACTERS, BEING AN INTRODUCTION TO THAT NOBLE SCIENCE BY WHICH EVERY MAN MAY BECOME HIS OWN ROGUE.
II BRACHYLOGIA; OR, ESSAYS CRITICAL, SENTIMENTAL, MORAL, AND ORIGINAL.

INTRODUCTION.
Having lately been travelling in Germany, I spent some time at that University in which Augustus Tomlinson presided as Professor of Moral Philosophy. I found that that great man died, after a lingering illness, in the beginning of the year 1822, perfectly resigned to his fate, and conversing, even on his deathbed, on the divine mysteries of Ethical Philosophy. Notwithstanding the little peccadilloes to which I have alluded in the latter pages of "Paul Clifford," and which his pupils deemed it advisable to hide from--
"The gaudy, babbling, and remorseless day,"
his memory was still held in a tender veneration. Perhaps, as in the case of the illustrious Burns, the faults of a great man endear to you his genius. In his latter days the PROFESSOR was accustomed to wear a light-green silk dressing-gown, and, as he was perfectly bald, a little black velvet cap; his small-clothes were pepper and salt. These interesting facts I learned from one of his pupils. His old age was consumed in lectures, in conversation, and in the composition of the little morceaux of wisdom we present to the public. In these essays and maxims, short as they are, he seems to have concentrated the wisdom of his industrious and honourable life. With great difficulty I procured from his executors the manuscripts which were then preparing for the German press. A valuable consideration induced those gentlemen to become philanthropic, and to consider the inestimable blessings they would confer upon this country by suffering me to give the following essays to the light, in their native and English dress, on the same day whereon they appear in Germany in the graces of foreign disguise.
At an age when, while Hypocrisy stalks, simpers, sidles, struts, and hobbles through the country, Truth also begins to watch her adversary in every movement, I cannot but think these lessons of Augustus Tomlinson peculiarly well-timed. I add them as a fitting Appendix to a Novel that may not inappropriately be termed a Treatise on Social Frauds; and if they contain within them that evidence of diligent attention and that principle of good in which the satire of Vice is only the germ of its detection, they may not, perchance, pass wholly unnoticed; nor be even condemned to that hasty reading in which the Indifference of to-day is but the prelude to the Forgetfulness of to-morrow.

CONTENTS.
MAXIMS ON THE POPULAR ART OF CHEATING, Illustrated by Ten Characters, being an Introduction to that noble Science by which every Man may become his own Rogue
BRACHYLOGIA: On the Morality taught by the Rich to the Poor Emulation Caution against the Scoffers of "Humbug" Popular Wrath at Individual Imprudence Dum deflnat Amnis Self-Glorifiers Thought on Fortune Wit, and Truth Auto-theology Glorious Constitution Answer to the Popular Cant that Goodness in a Statesman is better than Ability Common-sense Love, and Writers on Love The Great Entailed The Regeneration of a Knave Style

MAXIMS
ON
THE POPULAR ART OF CHEATING,
ILLUSTRATED BY TEN CHARACTERS;
BEING AN INTRODUCTION TO THAT NOBLE SCIENCE BY WHICH EVERY MAN MAY BECOME HIS OWN ROGUE.
Set a thief to catch a thief.---Proverb.
I.
Whenever you are about to utter something astonishingly false, always begin with, "It is an acknowledged fact," etc. Sir Robert Filmer was a master of this method of