There are Crimes and Crimes | Page 8

August Strindberg
ill, you know, and now I am well.
(ADOLPHE begins to look depressed.)
MAURICE. [Embarrassed] Listen, I have a single ticket left--only one. I place it at your disposal, Adolphe.
ADOLPHE. Thank you, but I surrender it to Henriette.
HENRIETTE. But that wouldn't do?
ADOLPHE. Why not? And I never go to the theatre anyhow, as I cannot stand the heat.
HENRIETTE. But you will come and take us home at least after the show is over.
ADOLPHE. If you insist on it. Otherwise Maurice has to come back here, where we shall all be waiting for him.
MAURICE. You can just as well take the trouble of meeting us. In fact, I ask, I beg you to do so--And if you don't want to wait outside the theatre, you can meet us at the Auberge des Adrets-- That's settled then, isn't it?
ADOLPHE. Wait a little. You have a way of settling things to suit yourself, before other people have a chance to consider them.
MAURICE. What is there to consider--whether you are to see your lady home or not?
ADOLPHE. You never know what may be involved in a simple act like that, but I have a sort of premonition.
HENRIETTE. Hush, hush, hush! Don't talk of spooks while the sun is shining. Let him come or not, as it pleases him. We can always find our way back here.
ADOLPHE. [Rising] Well, now I have to leave you--model, you know. Good-bye, both of you. And good luck to you, Maurice. To-morrow you will be out on the right side. Good-bye, Henriette.
HENRIETTE. Do you really have to go?
ADOLPHE. I must.
MAURICE. Good-bye then. We'll meet later.
(ADOLPHE goes out, saluting MME. CATHERINE in passing.)
HENRIETTE. Think of it, that we should meet at last!
MAURICE. Do you find anything remarkable in that?
HENRIETTE. It looks as if it had to happen, for Adolphe has done his best to prevent it.
MAURICE. Has he?
HENRIETTE. Oh, you must have noticed it.
MAURICE. I have noticed it, but why should you mention it?
HENRIETTE. I had to.
MAURICE. No, and I don't have to tell you that I wanted to run away through the kitchen in order to avoid meeting you and was stopped by a guest who closed the door in front of me.
HENRIETTE. Why do you tell me about it now?
MAURICE. I don't know.
(MME. CATHERINE upsets a number of glasses and bottles.)
MAURICE. That's all right, Madame Catherine. There's nothing to be afraid of.
HENRIETTE. Was that meant as a signal or a warning?
MAURICE. Probably both.
HENRIETTE. Do they take me for a locomotive that has to have flagmen ahead of it?
MAURICE. And switchmen! The danger is always greatest at the switches.
HENRIETTE. How nasty you can be!
MME. CATHERINE. Monsieur Maurice isn't nasty at all. So far nobody has been kinder than he to those that love him and trust in him.
MAURICE. Sh, sh, sh!
HENRIETTE. [To MAURICE] The old lady is rather impertinent.
MAURICE. We can walk over to the boulevard, if you care to do so.
HENRIETTE. With pleasure. This is not the place for me. I can just feel their hatred clawing at me. [Goes out.]
MAURICE. [Starts after her] Good-bye, Madame Catherine.
MME. CATHERINE. A moment! May I speak a word to you, Monsieur Maurice?
MAURICE. [Stops unwillingly] What is it?
MME. CATHERINE. Don't do it! Don't do it!
MAURICE. What?
MME. CATHERINE. Don't do it!
MAURICE. Don't be scared. This lady is not my kind, but she interests me. Or hardly that even.
MME. CATHERINE, Don't trust yourself!
MAURICE. Yes, I do trust myself. Good-bye. [Goes out.]
(Curtain.)

ACT II
FIRST SCENE
(The Auberge des Adrets: a cafe in sixteenth century style, with a suggestion of stage effect. Tables and easy-chairs are scattered in corners and nooks. The walls are decorated with armour and weapons. Along the ledge of the wainscoting stand glasses and jugs.)
(MAURICE and HENRIETTE are in evening dress and sit facing each other at a table on which stands a bottle of champagne and three filled glasses. The third glass is placed at that side of the table which is nearest the background, and there an easy-chair is kept ready for the still missing "third man.")
MAURICE. [Puts his watch in front of himself on the table] If he doesn't get here within the next five minutes, he isn't coming at all. And suppose in the meantime we drink with his ghost. [Touches the third glass with the rim of his own.]
HENRIETTE. [Doing the same] Here's to you, Adolphe!
MAURICE. He won't come.
HENRIETTE. He will come.
MAURICE. He won't.
HENRIETTE. He will.
MAURICE. What an evening! What a wonderful day! I can hardly grasp that a new life has begun. Think only: the manager believes that I may count on no less than one hundred thousand francs. I'll spend twenty thousand on a villa outside the city. That leaves me eighty thousand. I won't be able to take it all in until to-morrow, for I am tired, tired, tired. [Sinks back into the chair] Have you ever felt
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